Denny, a free spirit and artist falls for Ryan, a straight laced lawyer. When Denny questions gender their love is tested.

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.

David is a nurse who works with terminally ill patients. Dedicated to his profession, he develops strong relationships people he cares for. But outside of work, it’s a different story altogether.

In 19th-century Paris, Charles Swann risks his social standing in his obsessive pursuit of prostitute Odette. His overwhelming desire for her comes, in part, from Odette’s complete disinterest in him. When he finally weds her, utterly compromising himself in high society, he finds to his horror that his love for her was a complete illusion. At the same time, the Baron de Charlus pursues his own ill-advised romance.

On the eve of the admissions cycle for New York City kindergartens, Alex and Greg Wheeler have high hopes for four-year-old Jake. The director of Jake’s preschool encourages them to accentuate Jake’s gender expansive behavior to help him stand out. As Alex and Greg navigate their roles as parents, a rift grows between them, one that forces them to confront their own concerns about what’s best for Jake, and each other.

An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she’s loved has always been met with tragedy.

At the dawn of her thirties, Mona tries relentlessly to take off as an actress. Time passes and proposals do not arrive. Short of resources, she is forced to move to Sam, her younger sister.

April, who likes to write poetry, meets Senandika, a musician who has managed to steal attention with her philosophy and principles. April, seeing potential in Sena, introduces her to Sanya, her best friend’s young producer. The conflict began when April and Sena fell in love with each other, but was blocked by the blessing of April’s father, Halim.

The seven old friends decide to come together for dinner. Everyone is seated at the table, chatting, eating laughing accompaniment. During the meal, it is decided to play a game. The game is pretty simple; everyone will put their phones on the desk, every incoming message and notification will be read aloud. Their relationship begins to deteriorate. The group who thinks they are very close friends for so long are in fact alien to each other.

In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached  manner leads to one mistake after another.

Paris, 1830: Octave, betrayed by his mistress, sinks into despair and debauchery. His father’s death leads him to the country where he meets Brigitte, a widow who is ten years his elder. Octave falls in love passionately, but will he have the courage to believe in it?

Fifteen-year old John Cleaver is dangerous, and he knows it. He’s obsessed with serial killers, but really doesn’t want to become one. Terrible impulses constantly tempt him, so for his own sake, and the safety of those around, he lives by rigid rules to keep himself “good” and “normal”. However, when a real monster shows up in his town he has to let his dark side out in order to stop it – but without his rules to keep him in check, he might be more dangerous than the monster he’s trying to kill.