Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys’ boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.

Follows seemingly unrelated people as their lives begin to intertwine while they fall in – and out – of love. Affections languish and develop as Christmas draws near.

Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.

A withdrawn young man, Leland Fitzgerald is imprisoned for the murder of a mentally disabled boy, who also happened to be the brother of his girlfriend, Becky. As the community struggles to deal with the killing, Pearl Madison, a teacher at the prison, decides to write about Leland’s case. Meanwhile, others affected by the murder, including Becky and her sister, Julie, must contend with their own problems.

A smart finger movie about adult rated romance between young men and women who have total control over SNS.

A legion of dreaded, warring dacoits terrorize the Indian heartlands.

Jimmy Rabbitte, just a tick out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey “The Lips” Fagan.

Set in the 1970’s, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family–wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)–from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe’s spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein’s memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.

Young Raj Malhotra (Akshay Kumar) lives with his elder brother, Rohit; his sister-in-law Kiran, and a niece. After an accident fractures his leg, he is unable to walk for some time. Due to psychological reasons, he cannot walk even after the fracture heals. When the Malhotras move to Dehra Dun, Raj befriends young Kajal (Dutta), as both share a common passion for airplanes. Kajal encourages Raj to walk, and succeeds. Years later the two continue to be fast friends, and everyone expects them to marry soon. Then Raj is recruited by the Indian Air Force and goes for training for a year and a half. After his training gets over, he rushes to Kajal to propose to her, only to find out that she has given her heart to a multimillionaire, Karan Singhania (Verma), who owns several airplanes and choppers. Raj congratulates Kajal and Karan, but does not reveal his true feelings.

Sex, love, break ups, turning 30, and staying in.

Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.

After her husband leaves her, a woman travels to London for the funeral of the pop star, Victor Fox, she’s adored all her life. There, she meets the lover of the dead pop star, and convinces him to come back to Chicago with her to figure out who killed the singer. Written by Anonymous