The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There’s only one catch – he didn’t write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man’s work, and for placing ambition and success above life’s most fundamental three words.
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Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
A remake of the cult classic, inspired by Randall Sullivan’s Rolling Stone article of the same name about the real life murder of a popular, affluent and beautiful Northern California high school cheerleader at the hands of a classmate.
Francis Ashby, a senior Oxford don on holiday alone in the Alps, meets holidaying American Caroline and her companion Elinor, the blossoming Irish-American girl she adopted many years before. Ashby finds he enjoys their company, particularly that of Elinor, and both the women are drawn to him. Back at Oxford he is nevertheless taken aback when they arrive unannounced. Women are not allowed in the College grounds, let alone the rooms. Indeed any liaison, however innocent, is frowned on by the upstanding Fellows.
Carly gets a second chance at romance with her college crush but isn’t sure how to impress him until her new friend Nick starts giving her advice. Soon she learns who the right man for her really is.
Jewish Jack-the-lad David seriously fancies smart, rich Anglo-Saxon Carrie as soon as he first offends her in a Boston bar. They run into each other again and though she still says she finds him appalling he works on it and they are soon together. His even more reprehensible best mate and her blousy best friend watch bemused as the two fall deeply in love and then apparently as fatally out again
Abducted and confined in a room by a gang of sadistic men, a pregnant woman tries to escape, against insurmountable odds.
Two romantically involved down-and-out lounge singers get involved in a caper.
Biopic about Sir James Brooke, the British adventurer who became King of Sarawak in the 1840’s and embarked on a lifelong crusade to end piracy and head-hunting – only to face charges of murder and piracy himself.
When pop star Darcy returns home to spend Christmas with her sister and niece, she unexpectedly finds herself coaching the high school choir with her onetime rival, Adam.
Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.
A Black woman’s meticulously crafted life of privilege starts to unravel when two strangers show up in her quaint suburban town.
