The Woods follows a group of young Americans who, disillusioned by the world’s many problems, move to the wilds of the Pacific Northwest with hopes of creating their own utopian society. Despite their idealistic goals of revolution, the group comes ill prepared for their new life, bringing a wide assortment of consumer electronics, recreational vehicles and snack foods. After catastrophic events in the outside world sever their electricity and wifi, and their leader’s once-inspiring rhetoric fails to hold them together, the group is forced to find a way to live in harmony with the natural world.
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Bickford Waner, an apparently naive young man from Fort Worth, arrives in the tiny Texas town of Dime Box and takes on a variety of menial jobs. He’s befriended by Reese Ford and his wife Molly, but before long Molly has seduced Bickford. Only with the arrival of Bickford’s former girlfriend Janet Conforto is it revealed that Bickford is actually the notorious train robber Kid Blue. Humiliated by a scandal arising from his affair with his friend’s wife, Bickford gives up on going straight and plots a crime.
Australian small-town cop Gary (Eck) enjoys his nearly pastoral existence, with traffic violations providing the major excitement to his normally low-key days. While away from work, Gary spends a good deal of time fantasizing about local news reporter Julia (Kirstie Hutton), who would just as soon relocate to the thriving metropolis of Sydney. Soon, however, a motorcyclist is found decapitated, with a construction worker, a sailor, and a cowboy and Indian also meeting the same fate. With some murderous weirdo with some sort of Village People fixation terrorizing the town, Gary — with the help of big-wig city detective and Don Johnson-wannabe Tony Charles (Mir) — begins to realize that a cop is the last remaining victim to be murdered in order for the killings to be complete. …
Love never hurt so good for two co-workers who enter a contractual relationship as partners in consensual play, pleasure and pain.
Gabriella, a Columbian immigrant, is obsessed with understanding violent crime. The current string of murders by “The Blue Blood Killer” of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
The setting is Camp Firewood, the year 1981. It’s the last day before everyone goes back to the real world, but there’s still a summer’s worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA’s Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day.
Join uptight David Starsky and laid-back Ken “Hutch” Hutchinson as they’re paired for the first time as undercover cops. The new partners must overcome their differences to solve an important case with help from street informant Huggy Bear and persuasive criminal Reese Feldman.
Pedantic policeman Frantisek (Ondrej Vetchý) wants to bring up his three daughters with a firm hand. He would like to see the girls coupled with capable and successful men, but instead they have the talent to find the opposite. Moreover, one of them is constantly trying to get pregnant, second one is only dating exotic fools and the third one is expecting a baby without knowing who is the father. Frantisek and his wife (Simona Stasová) always spend their vacation at the local lake, although the wife is dreaming of the seaside. One day she meets a bohemian writer with slightly suicidal tendencies (Miroslav Táborský) and an attractive colleague with Spanish roots (Kristína Peláková) walks into Frantisek’s office and things get moving…
