Haunted by her past, a nurse travels from England to a remote Irish village in 1862 to investigate a young girl’s supposedly miraculous fast.
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Major-league rookie pitcher Hopper Gibson has lost his focus. After choking on the mound, he’s sent down to the minors and prescribed sessions with an unorthodox sports therapist, who pushes him to uncover the origins of his anxiety.
Debbie attempts to contact the spirit of her deceased husband Sam, she inadvertently contacts Srinivasan, who had just died. This contact saves his life but leaves him in a coma for years. Later, Debbie unravels mystery about Lord Demonte sacrificing people and enslaves their spirits. Can Debbie break this cycle and help Srinivasan to wake up from his coma?
45-year-old Rui Nakamura is a highly successful publisher. During the course of work, she encounters a 28-year-old married man named Kou Suzuki who aggressively pursues her. Unexpectedly, Rui Nakamura starts to fall in love with the younger married man Set 5 years after the ending of the NHK drama series “Second Virgin,” Rui Nakamura is transferred to Kuala Lumpur, Malaysia while still taking care of Marie Suzuki.
When the experienced guide Vic accompanies the city boy Alan and his three friends on their first wilderness experience, he not only hope to teach the four boys lessons about the wilderness, but about themselves. Vic pushes them to the limit. Soon after alienating the boys, Vic finds himself in desperate need of help and must rely on his students in order to survive.
The film follows Mr. Shi, a retired widower from Beijing. When his only daughter, Yilan, who lives in Spokane, Washington and works as a librarian, gets divorced, he decides to visit her to help her heal. However, Yilan is not interested. She tries keeping an emotional distance but when this finally fails she begins physically avoiding her father. He confronts her about an affair with a married Russian man and she, in turn, lets loose about all the gossip she’d heard as a young girl about his alleged affair with a female colleague back in China.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
A young woman embarks on a series of sexual adventures with a series of men and women against the backdrop of expatriate life in Hong Kong.
Three tales of horror are told from the narration of paranormal investigator Eddie Osborne to his newly hired videographer, as they document an abandoned hotel with supernatural occurrences.
Follows the lives of three families who live in a three-story building in a Roman neighbourhood.
