The aging, conservative population of a small, sleepy village in the Italian Alps are surprised to see that a former French professor has settled there with his young wife and their three children to produce goat cheese, in order to escape the wrongs of civilization. At first they are suspicious of his unconventional ideas and lifestyle, then are conquered by the enthusiasm, kindness, helpfulness of the young family and start to see in them a possible rebirth of the place. But little by little misunderstandings, envy and conflicts take over.
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At the heart of the film is the story of a young talented artist Kiril, in whose fate persistently puts a weapon in his hand instead of a brush. Demanding from him the life of a warrior, not a painter.
Harry (Brian Petsos) is having a very, very bad day. He returns home from an all-night drinking binge with his cousin Cecil (Oscar Issac), to discover that his little dog Jolly…Harry’s one true love and the source of light in his dark, solitary life-has been murdered. Brokenhearted and beyond consolation, he vows to track down the dog’s murderer at any cost. Armed with a stockpile of firepower in the trunk of his car, he and Cecil embark on a frenzied, alcohol-fueled wild-goose chase, leaving a bloody path of destruction in their wake.
On the verge of despair at his overly controlled life, a repressed teenage geek attends a student conference where he picks up the thoughts of a rebellious, adolescent schizophrenic and realises that he is telepathic; but when he is kidnapped by a scientist engaged in unethical experiments, he must grow up, take the lead and enlist the help of this unlikely friend before he and other young telepaths are killed.
Peter and Michael, raised on the streets of Philadelphia, are the children of Irish mob members, forever linked by the crimes of their fathers. 30 years later, Michael now runs the criminal organization and lusts for more power, his dangerous antics frequently held in check by his cautious cousin Peter. Haunted by the death of his sister, whose passing destroyed both his parents, Peter is caught between the dreams of childhood and the realities of his life as an enforcer. His only reprieve is a local boxing gym, a sanctuary that is quickly threatened as Michael’s desire for control escalates.
Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.
Two Iranian teenagers in love want to get married, travel to the US to get a green card and live there, but their parents object. With not enough money saved, they pin their hopes on winning the state lottery to fund their trip, but tragedy derails their plans.
After his ad agency goes bankrupt, an indebted Fırat falls for a singer at a yoga retreat and joins her on a journey of self-realization.
If you don‘t see things as a problem, you don‘t have one. This is the attitude Janne is trying to maintain towards the fact of being raped by the brother-in-law of her new boss. In the aftermath of her private bankruptcy, she needs a job and hates the idea of being a victim. Still, remaining silent about the incident has its consequences.
In 1916, beautiful young mute Helen is a domestic worker for elderly, ailing Mrs. Warren. Mrs. Warren’s two adult sons, Albert (a professor) and womanizing impudent Steven, also live in the Warren mansion. Mrs. Warren becomes concerned for Helen’s safety when a rash of murders involving ‘women with afflictions’ hits the neighborhood. She implores her physician, Dr. Parry, to take Helen away for her own safety. When another murder occurs inside the Warren mansion, it becomes obvious that Helen is in danger.
It’s been a long time since Caine, Bronson, Angus and Wendell—aka ‘The Chain Breakers’—escaped a torturous Vietnamese POW camp. They now find themselves sharing a new prison, The Hogan Hills Retirement Home for Returned Veterans. Each of the boys has an unrealised dream they want to achieve, so they band together to devise a plan to escape their new hell. But the rules of engagement have changed. In fact, they can’t even remember what they were—and that’s half the problem.
