Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who’s acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin’ Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there’s a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

Imagine making a feature length film with a budget equal to the cost of a small motorcycle. With a cast and crew of 32 (plus extras) this 86 minute film was shot in 14 days at 12 unique locations within south-east Texas. This is First Step Cinematics LLC’s abridged 86 minute version of Frankenstein’s Monster. The art-house special edition was screened exclusively at over 30 film festivals, science fiction and steampunk conventions across the U.S.A., Canada, and the UK. Frankenstein’s Monster Synopsis: Drama, 86 minutes. A steampunk film adaptation of Mary Shelley’s literary masterpiece. In his obsession over Prometheus’ flame, Victor Frankenstein abandons those he loves to create a living being. Leaving behind his abominable work, Victor hopes to escape judgment and return to a peaceful life. He soon discovers all secrets have their price.

The inspiring true story of an accomplished open water swimmer’s attempt to become the first woman to swim 30 miles through a stretch of cold, rough and shark-inhabited waters off of the San Francisco coast.

Traces the Beats from Allen Ginsberg and Jack Kerouac’s meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac’s death, and Ginsberg’s politicization. Their movement connects with bebop, John Cage’s music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats’ meaning and impact.

William Shatner sits down with scientists, innovators and celebrities to discuss how the optimism of ‘Star Trek’ influenced multiple generations.

Twenty years ago, Kurt Cobain was found dead of an apparent gunshot wound to the head. The world was told it was a suicide, but evidence would lead many people to believe it might be otherwise. The film investigates the possibilities that exist that Kurt Cobain’s death might not have been a suicide, that the Seattle Police Department rushed their verdict, and the global media perpetuated lies and misinformation fed to them by Courtney Love that created the belief in many that Cobain killed himself, but when revealed to be lies, lead many to now question what happened.

Takes a look at the life of the talented musician and composer, saxophonist Maria Faust. The film closely follows the birth of three works and how Maria’s personal experiences are reflected in her work.

Samsara is a word that describes the ever turning wheel of life. It is a concept both intimate and vast – the perfect subject for filmmakers Ron Fricke and Mark Magidson, whose previous collaborations include Chronos and Baraka, and who, in the last 20 years, have travelled to over 58 countries together in the pursuit of unique imagery. Samsara takes the form of a nonverbal, guided meditation that will transform viewers in countries around the world as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.

“I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot.” -JM

A journey to find the origins of knowledge.

Akira Kurosawa’s lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

George W. Bush picks Dick Cheney, the CEO of Halliburton Co., to be his Republican running mate in the 2000 presidential election. No stranger to politics, Cheney’s impressive résumé includes stints as White House chief of staff, House Minority Whip and defense secretary. When Bush wins by a narrow margin, Cheney begins to use his newfound power to help reshape the country and the world.