In a city infested with the LIVING-IMPAIRED aka non-cannibal zombies – three slackers after easy money must fight small-time crooks and an evil megacorporation to save their kidnapped grandma.

Pei Yu Yen has her whole life ahead of her. Raised in a sheltered environment by her father who is a professor, she is prim and proper and typical good student. However, her life is akin to a canary bird in a cage until the day she met Yu Hao. He is boy caught in a brawl with gangsters on the street. He is the boy who rushed into the classroom to thank her. He is the boy who stopped the bus to give her a love letter. They may be further apart than any two people in the world, but he cannot resist the urge to reach out to her to see her smile again.

For those, if any, who have wondered why so many Paramount contractees appeared in United Artists’ films during the war years, this is another one of the Paramount productions that was sold to United Artists in the early-40’s when U.A. was having trouble meeting their exhibitor contracts because of lack of product, mainly due to their loss of production in England. A group of starving, but young and willing, actors band together to share finances and an apartment. Norman Reese (William Holden) orders no love nonsense between the boys and girls till they are set on broadway, but Marge Benson (Barbara Britton) and Tony Dennison (James Beown) are already secretly married. A friend drops in to see Dottie Coburn (Martha O’Driscoll) and is shocked to find the boys and girls sharing the same apartment and insists it is her duty to inform Dottie’s father (Jay Fassett.)

In the midst of the wedding princess Miroslava is kidnapped by a dragon and carried away into his castle on the remote island. Mira left everything behind in the past – family, friends and groom. Now the only things she had were a stone cage and a mysterious young man named Arman … but who is he and what is he doing on that island? Miroslava will know the truth too late: loving a dragon will reveal the bitter truth – love is scary.

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The Leningrad Cowboys, a group of Siberian musicians, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band.

A low-level mobster takes a stab at stand-up comedy while in the Witness Protection Program.

Rabbit and Rongo, two dumb but kind-hearted criminals, want to help a young girl get the medical treatment she needs. Inspired by true crimes around the world, they attempt to raise money through a series of dumb plans and hopeless schemes.

Commentator-comic Bill Maher plays devil’s advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ’s existence, Jewish Sabbath laws, violent Muslim extremists.

Gad Elmaleh decides to leave New York and move back to Paris, to get baptized and become a Catholic. Despite his attempt to hide the truth from his Jewish family, Gad’s parents discover their son’s unconditional love for the Virgin Mary – and for them, it’s a nightmare! Determined to bring Gad back to reason and to his Jewishness, they turn his conversion into a battlefield – as Gad tries to make them understand by any means necessary that his sincere beliefs do not change his identity and the love he has for his family.

1944. Léon Duchemin owns a restaurant with his sister. His clients are Germans, Résistance et black marketeers. Léon unwillingly joins the Résistance when a British pilot is shot down and hides in his attic and, through a series of mishaps, he accidentally steals the plans for Hitler’s V1 missiles.

A revolutionary film about the cinematic genius of North Korea’s late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart – a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.