German filmmaker Niko von Glasow embarks on a very personal project with this documentary that profiles thalidomiders: people born with malformed or missing limbs because their mothers took thalidomide for morning sickness during pregnancy.

LIVE AT LAST was filmed at the O2 in the London during ‘A Wonder Summer’s Night’ tour in 2008, his first tour in over a decade which sold over 120, 000 tickets in the UK alone. The track list traces a lifetime of innovation and accomplishment stretching from Wonder’s teens with “My Cherie Amour” and “Signed, Sealed, Delivered I’m Yours” as well as iconic hits that redefined pop and R&B music, including “Superstition,” “Higher Ground,” “Living For the City,” “You Are the Sunshine of My Life” and “I Wish,” while reaching into his classic albums for such enduring fan favorites as “All I Do,” “Overjoyed” and “Knocks Me Off My Feet…”

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

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The iconic Merce Cunningham and the last generation of his dance company is profiled in Alla Kovgan’s 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, Robert Rauschenberg, and more.

A journey to find the origins of knowledge.

A Scottish soldier is forced to redefine his identity after losing his legs in combat and becomes a ‘strongman’ with the help of a former Royal Marine.

Over six decades, Richard Demarco CBE, the Scottish artist and iconic promoter has brought 1000s of artists to the Edinburgh Festival and launched the careers of some of the most famous names in contemporary art. Yet today, Demarco struggles to make ends meet and is out of favour with the modern art wold. The film discusses how art has been commodified in society by dominant forces. How can society remedy the absence of art in the lives of those who feel excluded? Demarco wants to put this right before his final breath!

Follow-up to “Eaten Alive: The Rise and Fall of the Italian Cannibal Film”, this documentary was produced for the 88 Films UK Blu-Ray release of “Amazonia: The Catherine Miles Story” and looks at the dying days of the controversial Italian cycle of jungle-based horror-adventures.

Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.

A documentary by photographer Sam Jones documenting American rock band Wilco recording their fourth album Yankee Hotel Foxtrot. Originally intended as a showcase of the band’s creative process, the film crew catches unexpected complications between the band and its record label and problems among the band members themselves.

“This film begins on the 5th of March. Every year, on this exact date, an ant comes in under my front door and I watch it. For her, it’s the beginning of spring, for me it’s my mother’s birthday. The ant feeds its queen who then lays eggs and I ask myself the question of whether I do or do not want to have a baby just at the point when my mother, who is suffering from cancer, is approaching the end of her life.” – Zoé Chantre