The story springs from the real-world headlines of religious cults and mass suicides. With Veil, it begins 30 years ago, when members of a religious cult known as Heaven’s Veil take their own lives. The truth behind what really happened remains buried deep in the memory of the sole survivor, a five-year-old girl, who returns to the compound with a documentary crew as an adult. They soon discover something that is far more terrifying than anything they could have imagined.
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In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. A man in charge of enforcing the law rises to overthrow the system.
Jack and Dora, abandoned by their parents as babies, are desperate to find each other after years of adoption. Jack’s young life has been spent with a sadistic family. Dora, whose life has been somewhat better, has developed extra-sensory powers which tell her that Jack’s in danger and drives her to search for him.
A beautiful journalist will stop at nothing to get revenge for her daughter’s murder. With no help from corrupt cops she decides to take the law into her own hands and joins a vigilante gang of gangsters and football hooligans to track down the sick, sadistic killers and get her justice….
Tortured by the memory of a childhood trauma, a woman returns after a decade to her family’s fly-in hunting lodge to assist her siblings with their dying father, only to find herself stuck in a life threatening nightmare.
Stanley Durall, the notorious director of a series of intense erotic dramas, is returning to his debut movie, God’s Lonely Woman, to provide an audio commentary for the film’s first Blu-ray release since it was banned in the 1970s. It’s clear from his commentary that Stanley committed a series of transgressions against his lead actresses during production, transgressions which had serious consequences for everyone involved – everyone except him. But will he finally be punished for his past behaviour?
A young woman becomes filled with a horrible dread when she discovers that her brother may actually be something other than he appears.
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth’s persona.
