Nineteen-year-old Viorel lives with his mother in a remote Moldovan town. He has no great ambitions nor any illusions about life. He and his pal Goos earn a little cash through illegal activities, and Viorel is helping him fulfill his dream of flying. His mother tries to convince him to find a decent job. Eventually, Viorel begins taking control of his life.
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When a trio of struggling and increasingly desperate thirty-something actors – Alberto, Molly and Richard – discover that A-list talent agent Carlo Lombardi is taking classes at the yoga studio where Molly teaches, they concoct the perfect scheme to convince him of their talent: Lay siege to the yoga studio, tie Carlo up, and with a gun to his head give the performance of their lives. A perfect plan! Now what could go wrong?
Angie wonders what her life would be like if she had married a former boyfriend who became a famous sportscaster. She takes the train home to spend Christmas with her family and inexplicably finds herself 10 years in the past. With the advice of the train’s enigmatic conductor, Angie has the chance to revisit that Christmas and learn what — and who — is truly important to her.
Edouard Binet, an aimless Frenchman, has been travelling in North Africa for many years, and is sailing to Belgium. En route, he meets Sylvie Baron. He introduces her to Nemrod Lobetoum, a rich Egyptian carrying valuable jewelry, and Sylvie and Nemrod become friends. Their friendship escalates to love, which makes Edouard jealous. Days later, Edouard arrives at a rooming house owned by Mme. Louise Baron, Sylvie’s mother, wearing blood-stained clothes. It appears that Nemrod was killed on a train after he arrived in France, but Edouard denies any knowledge of what happened. Sylvie suspects that Edouard is responsible for Nemrod’s death, but by now her mother has become Edouard’s ally.
A woman dealing with the loss of her husband, the struggle of parenthood and finding work in a new state finds solace in her relationship with an 8 year old physically disabled girl named Justine who she takes care of.
When a girl’s body is found on a beach in Poland’s Tricity, a prosecutor teams up with the victim’s mother on an impassioned quest for the truth.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.
Jean, a PE teacher, is forced to live a double life. When a new student arrives and threatens to expose her sexuality, Jean is pushed to extreme lengths to keep her job and her integrity.
