The latest exploitation / Grindhouse feature film from Ungovernable Films, featuring all your favorite ungovernable motifs like sex, gore, violence, nudity, schlock, and laughs! Oh, and of course a social message! This time it’s “fuck the police!”
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In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?
unReal is for those of us who escape. A film that celebrates breaking free from the confines of reality and venturing into a boundless world. This place isn’t remote or hard to find, and yet many never see it. Here, glacial walls transform into mountain bike trails, rain and snow aren’t the only elements to fall from the sky and thousand pound mammals become riding partners. Breathtaking visuals conjure feelings of awe and pure joy; feelings that only those of us who venture outside can truly understand. This film is dedicated to you — the dreamers, the rule-breakers, the ones who never grow up, the ones who know the secret — the ones who know the way into the unReal world.
Siblings Monroe (Monroe Mann) and Hilary (Crystal Arnette) have discovered that they have inherited a lake house and to make things even better, the famous horror author Stephen King is rumoured to live somewhere nearby. They decide to take their friends down to the lake house to check things out, only to find immediate resistance from all of the locals, who insist that King doesn’t live in the area. Despite being completely unwelcome, they decide to stay and soon find that people are being killed one by one in a manner similar to several deaths in various Stephen King stories.
An archaeologist discovers an ancient artifact and scroll which starts a series of events that kills her several times over in various time periods, past lives and locations. It seems that the artifact and scroll are linked to a gateway to hell. Various hellish creatures pour in throughout history, it looks like the gateway has been opened. The archaeologist teams up with warriors and guides from the past to try and close the gate.
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Unable to find personal fulfillment: Ericson, a young-adult on the horizon of his thirties, dives head-first into an existential spiral of artistic indulgence as he attempts to co-opt his friends into making a movie with him.
Following on from the Royal Tramp I, after discovering that the Empress is actually Lone-er, a member of the St Dragon Sect, and that she imprisoned the real empress. Lone-er is bent on eliminating the person who disclosed her true identity, Wilson Bond. But more complications ensues when Lone-er is assigned to protect the Prince, whose servant is none other than Wilson Bond.
Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.
Buenos Aires screenwriter Pablo is hired to write a new romantic comedy. As he begins his story, he visualizes his characters living in Madrid. Pablo creates a meet-cute between Marina and Víctor, a cute couple in Madrid who are soon totally in love. Yet as Pablo gets more and more into the script, he finds it difficult to separate his movie characters from what is happening in his own real life – specifically, his own love life.
As a mysterious high plains drifter travels across the wintry North Dakota prairie, he finds a man lying unconscious in the middle of the road and stops to lend a hand. After defrosting, the man explains that he’s on his way to meet his pen-pal girlfriend for the first time, as she’s being released from prison. Desperate for a girlfriend of his own, the drifter sees this as an opportunity to change his lonely existence, and hatches a plan to steal his new companion’s identity, forever changing the destinies of all three people.