In the near future, writer Victor Banev gets himself on a UN commission to investigate what’s going on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. Banev’s tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.
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After a brutal injustice occurs on a Native American reservation, a son must find redemption for the actions of his past. Road to Paloma is the beautiful journey of two bikers traveling across America’s vast west. While Native American Wolf (Jason Momoa) is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash (Robert Mollohan), a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.
A father and teen daughter attend a pop concert, where they realize they’re at the center of a dark and sinister event.
A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother, in Finnish master Pirjo Honkasalo’s gorgeously stylized and emotionally devastating work about what we pass on to younger generations, and the ways we do it.
It’s the day before Christmas, the day before John’s 21st birthday. He’s a prostitute on Santa Monica Blvd in L.A., and he wants to spend that night and the next day at the posh Park Plaza Hotel. He’s ripped off a local drug dealer to pay the bill, but as he’s sleeping that morning, someone steals his shoes right off his feet, with the money in them. Meanwhile, Donner, a lad new to the streets, wants John to leave the city with him for Camelot, a theme park in Branson, MO, where they’ll work as lifeguards. John spends the day trying to hustle the money for the hotel, avoid Jimmy the Warlock, keep his girl friend placated, and figure out how to deal with Donner’s friendship.
Front of Aragon, 1937. Lluís (Marcel Borràs), a young republican officer destined for a temporarily dormant position, meets an enigmatic widow of whom she falls in love, Carlana (Núria Prims), who manages to fool him to falsify a Document that makes it the lady of the region. The best friend of Lluís, the Soleràs (Oriol Pla), a degraded officer, discovers the fraud and, in exchange for not exposing him, he demands that he move away from the bombings of Barcelona his son and his wife, from whom he is Secretly in love When Trini (Bruna Cusí) arrives at the town, it does not take long to discover the betrayal of Lluís and establishes between them two a “state of war” that will make all moral bases stagger.
Dodo Rozak just wants to be a good father to his daughter, Kartika, despite his limited intelligence, acts and behaves like children. In fact, it is Kartika who takes care of her father most of the time. Both live happily.
A mother fights to save her ailing daughter after a global pandemic worse than any seen before ravaged the planet, leaving resources so scarce you must pay for them with your life.
An infant disappears from his parents sight in a mysterious but haunting forest after a punishment.
Albert has always looked up to his aunt Tiny: this beautiful woman from Brabant can make any man’s heart skip a beat. Through Albert’s eyes Tiny’s life seems quite exciting. But why is she so furious at everyone and everything? It takes him half a lifetime to discover that his beloved aunt’s existence is a lot more complex than he had ever thought.
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult’s manipulative leader.
Man-sik and Yeon-hee, are unsure as to whether they can overcome past wounds and continue being a couple. Dr. Kim, who cautions against a possible mega-tsunami at Haeundae, collapses in agony springing from an unexpected turn-up of his daughter and divorced wife. Hyoung-sik, after rescuing a woman from Seoul, rides out a ferocious storm to gladden her heart. A tsunami which destroys Haeundae symbolizes the establishment of a typical axis called provocation of conflicts, and later the inner spaces of the couples without anything left behind after all conflicts have ended
