Jane, a high school teenager, tries to deal with the discovery that she is a lesbian after developing an intense friendship with another girl who makes her discover her true sexuality, which is only the start of Jane’s troubles when Jane’s unaccepting mother, Janice, struggles with her surprising revelation of brought forth by her only daughter.
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A Depression-downtrodden waif uses her brains instead of her body to rise from tyro con artist to crime boss.
School friends Lee Wan and Shin Gi Tae are inseparable school friends who spend every single moment of free time they have together. But Lee Wan has a secret: He has a crush on his best friend and wants their relationship to turn romantic. When he tells Shin Gi Tae how he feels, Gi Tae recoils and Lee Wan runs away to a new life. Seven years later, Lee Wan who is now an illustrator is called to an interview at a gaming firm that is developing a dating-themed game where he he comes face-to-face with Shin Gi Tae, who is a team leader at the same firm. Now these two former friends must work together, despite the events of seven years ago. But will spending so much time in one another’s company again result in friction – or could it reignite old passions?
Contact is a science fiction film about an encounter with alien intelligence. Based on the novel by Carl Sagan the film starred Jodie Foster as the one chosen scientist who must make some difficult decisions between her beliefs, the truth, and reality.
A successful TV star during the 1960s, former “Hogan’s Heroes” actor Bob Crane projects a wholesome family-man image, but this front masks his persona as a sex addict who records and photographs his many encounters with women, often with the help of his seedy friend, John Henry Carpenter. This biographical drama reveals how Crane’s double life takes its toll on him and his family, and ultimately contributes to his death
In this bloody long-standing feud, two families seek vengeance against each other as they unmercifully attempt to destroy each other’s loved ones.
At an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel tactics that horrify the magistrate.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.