France, 1942: A serial killer stalks the streets of Occupied Paris. Using the chaos of the war to his own advantage, psychotic doctor Marcel Petiot poses as a resistance operative and preys on those most desperate to flee the Nazi regime – Jews, criminals and underground partisans. As the body count rises, both the French police and the Gestapo race against time to bring him to justice.

Follows Dianne Whelan, a filmmaker disappointed with the state of the world, as she takes a solo self-recorded journey across the longest hiking trail in the world.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

RiverBlue chronicles an unprecedented around-the-world river adventure, led by renowned paddler and conservationist, Mark Angelo, who ends up uncovering and documenting the dark side of the global fashion industry.

Werner Herzog and volcanologist Clive Oppenheimer embark upon a global journey exploring some of the world’s most mythical volcanoes in Indonesia, Ethiopia, Iceland and North Korea. Speaking with scientists and indigenous peoples alike, they seek to understand the complex and deeply rooted relationship between mankind and one of nature’s greatest wonders.

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This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.

Two activists race to save a once-bustling historic landmark struck by a mysterious fire.

The uplifting and heart-wrenching struggles of families who treat their cancer-stricken children with marijuana, some with astonishing results.

Once the thriving capital of Imperial China, the city of Datong now lies in near ruins. Not only is it the most polluted city in the country, it is also crippled by decrepit infrastructure and even shakier economic prospects. But Mayor Geng Tanbo plans to change all that, announcing a bold, new plan to return Datong to its former glory, the cultural haven it was some 1,600 years ago. Such declarations, however, come at a devastatingly high cost. Thousands of homes are to be bulldozed, and a half-million of its residents (30 percent of Datong’s total population) will be relocated under his watch. Whether he succeeds depends entirely on his ability to calm swarms of furious workers and an increasingly perturbed ruling elite. The Chinese Mayor captures, with remarkable access, a man and, by extension, a country leaping frantically into an increasingly unstable future.

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

Get ready to play a game of death… and another… and another. This wild documentary dives into the Bruce Lee exploitation craze.