In order to be reinstated to the bar and recover custody of her daughter, a hotshot lawyer, now in recovery and on probation, must take on the appeal of a woman wrongfully convicted of murder.
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Jovana Fey (Sophie Desmarais) is a novelist. Her first two books received positive reviews, but were a commercial failure. Her third, Don’t Read This on a Plane, has just been released – an amusing, risqué chronicle of a woman’s dalliances with a hundred women. Jovana hopes it will bring the success she craves.
A high priest of Karnak travels to America with the living mummy Kharis (Lon Chaney Jr.) to kill all those who had desecrated the tomb of the Egyptian princess Ananka thirty years earlier.
Miranda Presley moves from New York to Nashville to become a songwriter. At an unsuccessful audition she meets James Wright, a promising newcomer. After only a few days they marry but start to quickly regret it.
Noah Bryan wants nothing more than to be the next big country music star, until his past catches up to him. With the help of his seasoned manager Larry Walker, Noah is quickly on his way to becoming the next big thing. Playing the little honky-tonks and cowboy bars starts to pay off and Noah’s career gains momentum.
When Brandon leaves NYC to take a promotion in Portland, he also leaves behind his girlfriend of five months named Jensyn. The couple decide to try a long distance relationship, but when Brandon’s co-worker Simone takes a liking to him, it’s not just the distance that puts a strain on their future. Simone impersonates Jensyn, taking over her rival’s identity, and continues the relationship until she can convince him that Jensyn isn’t the girl for him after all…
One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.
Oscar-nominated film adaptation of the rock opera of the same name, based on the last weeks before the crucifixion of Jesus. The film was directed by Norman Jewison. Ted Neeley and Carl Anderson were nominated for two 1974 Golden Globe Award for their portrayals of Jesus and Judas, respectively.
Lorenzo Vigas’ mesmerizing feature debut examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, (played by Pablo Larraín favourite Alfredo Castro in one of his most striking performances yet), cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them. Winner of the Golden Lion for Best Film at the Venice Film Festival in 2015.
The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
Sexy but unstable wife and mother Jude walked out on her family three years ago. Now, just as suddenly, she is back. But her husband, Robert, has fallen in love with Callie, an assistant principal at his sons’ school. He asks Jude for a divorce. She responds by trying to turn her three boys against Callie, then by slashing herself and blaming her rival and finally by drawing her 12-year-old, Kes, into a murderous plot.
A self-help seminar inspires a sixty-something woman to romantically pursue her younger co-worker.
