The O’Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won’t allow it.
You May Also Like
A young couple, Kaia and Andrew, are renovating Kaia’s secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia’s sister, Christine, and her fiancé, Ira.
Abe is an ambitious journalist. Debra is an idealistic whistle-blower. In a few minutes, they will meet. An hour later, one of them will be dead.
When Marie’s boyfriend proposes to her in front of his entire family, she doesn’t know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.
Doris simply wanted to open a refined, stylish coffee shop in a bohemian Taipei neighborhood, but when she’s stuck with a load of useless gifts from the opening celebration, her younger sister Josie turns the café into a burgeoning bartering business. There, even a soulful song (by Japanese singer Atari Kosuke in a cameo) is a tradable commodity. One day, a traveler brings in 35 soaps from around the world with a story for each of them, awakening Doris’ imagination about the outside world that she has never seen.
Set in Tokyo’s otaku mecca Akihabara, “Akihabara@DEEP” tells the story of five otaku who drop out of society and end up founding their own successful IT venture called Crook. But Nakagomi, president of an influential electronics company called Digital Capital, will do anything to get his hands on Crook.
A young man recruits a film student to help him prove the existence of an urban legend.
Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri’s mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri’s brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri’s, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, “I want to see you.” Because she blames herself for her brother’s death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app’s users begin to die.
A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security.
Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son died from illness at age 10. This left Wang a melancholy loner aching for a male descendent to learn his rare and dying art.
The story of the sequel takes place 6 years after the action of the first film. After his marriage with Ashwini, Varun decides to stay in India. He starts a Call Centre while Ashwini is contemplating starting her own clinic. Looking at Seema and Sanjeev’s family, and after 6 years of marriage, Ashwini wants to have children, but Varun always avoids the topic saying that the two of them are good for each other, and he doesn’t want anyone else in their lovely relationship. As Ashwini becomes increasingly desperate to have children, one of Varun’s employees, the young and dashing Floor Manager named Menaka, tries to seduce Varun. Without crossing any lines, Varun stops Menaka and also confronts Ashwini. Ashwini doesn’t believe Varun and divorces him, but then realizes her mistake. She apologizes and the couple reunites.
Wounded in the war, Tommy Donahue and DD Davis return home from Iraq to the slum neighborhood they grew up in. Tommy returns to his wife, Faith, whom he abandoned while she was pregnant to escape a life of crime. Tommy meets his disabled six year-old daughter, Hope, for the first time, and she begins to melt his frozen heart. While DD struggles to make an honest living, his older brother, Darnell, has risen to become the neighborhood kingpin. DD faces the pressure to save his younger brother, James, from following in Darnell’s dangerous footsteps. Tommy and DD find themselves trapped in the same slum they joined the military to escape. As they struggle for redemption, their own families become entangled in a web of crime, corruption and violence.