Sean Haggerty only has an hour to deliver his illegal cargo. An hour to reassure a drug cartel, a hitman, and the DEA that nothing is wrong. An hour to make sure his wife survives. And he must do it all from the cockpit of his Cessna.

Last Day of the Dinosaurs is a 2010 Discovery Channel television documentary about the extinction of the dinosaurs. It portrays the Alvarez hypothesis as the cause of extinction.

Enter the world of First Person View (FPV) drones, where speeds upward of 100 mph and amazing acrobatic feats set these pilots apart. Custom drone designers, freestyle trick pilots, champion drone racers, and pro cinematic pilots will take you on a thrill ride and give you an insider look at what makes them so passionate about this hobby and profession. With FAA regulations threatening to ban self-built drones and heavily restrict flight, what will be the outcome for this innovative, growing hobby and global niche community? Hold on to your seat as the most skilled drone pilots take us on a ride to experience the world from a whole new perspective. Flowstate (edited now to Feature Length) following the events of 2020 as told by the main influencers in the FPV Drone culture, world-wide.

A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 – the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.

Four upper-class high school students live carefree between drugs, games and love until one of the girls, Eli, is brutally killed. Sixteen years later, the memory of the crime torments Alain, another member of the group.

A music documentary following the breakup of Swedish House Mafia and their subsequent One Last Tour. The largest electronic tour in history, selling over 1 million tickets in one week. Director Christian Larson captures the band in a unique fly on the wall manner as they call it quits and seek closure by going on the tour they had always dreamed of. With breathtaking live moments, huge laughs and dark lows, the band start to unravel why they came to the decision to end the biggest achievement of their lives to date to save their friendship. The film maps out three of the biggest stars in a scene which has gripped youth the world over and the psychology of the band. A film not to be missed.

Tasha, who aspires to make it big in life, catches the eye of two womanising brothers, who promise to make her a star. Yet her hidden intentions may prove deadly for the duo.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…

Three escaped convicts take a group of deaf students hostage.

When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus is on the grounds, and he’s about to show why this Nick is no saint.

In 1972, Miyuki tells her ex-lover Kazuo that she’s going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women’s commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?