A cowboy on the run from the law gets mixed up with a crooked horse race scheme.
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A sheep farmer brings his new wife to his father’s ranch and the old man takes an instant dislike to her.
Tom and five older respected business men run the Sierra mine. When Tom leaves for Europe to fight in WW1, everything is OK. When he returns after the war he finds his former assistant not only in control of the mine but the whole town. His former partners have fled becoming outlaws and are now robbing the mine shipments of money they believe is really theirs.
It is 1879 in the Dakota Territories, a band of men who set out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, but they soon discover that the real enemy stalks them from below.
The neighbors of a frontier family turn on them when it is suspected that their adopted daughter was stolen from the local Kiawa tribe.
Missie’s surprise pregnancy sets her on a new course that is both thrilling and terrifying. After all the planning and dreaming, she and her husband, Willie, have headed west in a covered wagon, leaving behind the prairie home of Missie’s parents. Now, caught between the excitement of the new adventure and the pain of not knowing when she’ll see her family again, Missie copes with the challenges, and cherishes the rewards, of her new homestead.
“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.
One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on the early frontier.
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.