Viktor Navorski is a man without a country; his plane took off just as a coup d’etat exploded in his homeland, leaving it in shambles, and now he’s stranded at Kennedy Airport, where he’s holding a passport that nobody recognizes. While quarantined in the transit lounge until authorities can figure out what to do with him, Viktor simply goes on living – and courts romance with a beautiful flight attendant.
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When Bella Swan moves to a small town in the Pacific Northwest to live with her father, she starts school and meets the reclusive Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward’s repeated cautions, Bella can’t help but fall in love with him, a fatal move that endangers her own life when a coven of bloodsuckers try to challenge the Cullen clan.
After her father’s death, a cop returns to the small town (and its secrets) she left behind.
The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.
A young girl who has been abandoned by her former-groupie mother informs a fading rock star that she is his daughter.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.
Two Punjabi brothers are stuck in lives they want to escape. Jaspal dreams of a woman out of his reach, Vicky dreams of emigrating to Canada. Both are trapped by Sanjay, Chandigarh’s Police Chief.
Bumbling Navy lieutenant Tom Dodge has been given one last chance to clean up his record. But Admiral Graham, his nemesis, assigns Dodge to the Stingray, a submarine that can barely keep afloat. To add insult to injury, the Stingray is to be the enemy flagship in the upcoming war games … and to make matters even worse, Dodge’s crew is a band of idiots even more incompetent that he is!
A completely hand-made historical micro-epic about the final minutes in the life of Winnipeg’s doomed Second World War hero, Andrew Mynarski (1916-1944). Combining wartime aviation melodrama with classical and avant-garde animation techniques (including stop-motion, silhouettes, bleaching, scratching, hand-painting and rubbing letratone patterns directly on the celluloid) Mynarski Death Plummet is a psychedelic photo-chemical war picture on the theme of self-sacrifice, immortality and jellyfish.
Yemaali is the story of Maali and his brother-from-another-mother, Aravind, and how they plan on killing Maali’s ex-girlfriend. They even call the ‘project’ Yemaali, a wordplay on both their names. But why do they want to kill this girl? Because she broke up with him, of course.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
