Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Police catch a break when suspected kidnappers are spotted on a train heading towards Union Station. Police, train station security and a witness try to piece together the crime and get back the blind daughter of a rich business man.

World-weary author Fernando has returned to his native Colombia to live out his days in peace. But Fernando’s once-quiet hometown has become a hotbed of violence, drugs, and corruption. On the brink of despair, Fernando meets Alexis, a beautiful but hardened street kid who lives by the rule of the gun. Together, they forge an unlikely relationship.

With the help of their high school’s newest teacher, four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.

Former college friends meet up for a reunion that leads them to face the apparent disillusionment that defines their lives. After a week of excessive drug and alcohol abuse, events lead them to contemplate fulfilling a self destructive pact they made when they were young.

Alice and Bret’s dog Harvie is dying, and he’s ruining everything. What had been a bright little family is quickly getting consumed by clouds of self-doubt, suspicion and a disturbing amount of ground beef.

Andre Marbel is the upper-class doctor who is able to continue his practice above suspicion even though he is a leader in the French Resistance. His nurse supports his activities, but her Nazi-brainwashed husband provides the tension.

An old psychiatrist finds out that he is likely to suffer a second and probably fatal heart attack in the near future. As a consequence he becomes determined to seduce Odile, a young woman he first encounters in a railway compartment.

A flight attendant and her boyfriend must steal a cache of diamonds to clear an old debt — but the plan spins into a mayhem when the plane gets hijacked.

Ghosts of Mississippi is a drama covering the final trial of the assassin, Bryon De La Beckwith, of the 60s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in a hung jury. The movie then covers District Attorney, Bobby DeLaughters transformation and alliance with Myrlie Evers, wife of Medgar Evers, of the, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story.

After losing their star player, a high school basketball team rich in Native American heritage must bounce back to keep their championship dreams alive.