After a breakfast of LSD and hitchhikers, The Takers–two berserk bikers–decide to go upscale when they spot suburban housewife Laura and bachelorette Barbi, follow them to Laura’s home, and invite themselves in: “We’re gonna have us a party with some educated social-type broads!” And party they do until Laura’s hubbie (director Carl Monson) unexpectedly shows up to settle things with some shotgun vengeance and… well, one of the goofiest, most startling endings of any motion picture!
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Melania, a 15 years old high school student gets pregnant with Emi, a classmate. Melania does not tell anyone she’s pregnant, Not even to Emi, or to her parents. The situation is extremely complicated because Emi’s mother is the director of the high school where the two lovers study, and Melania’s mother is secretary at the same high school. In the fifth month of pregnancy, Melania faints during class hours. She is urgently taken to the hospital by her mother who finds her daughter is 5 months pregnant so it’s too late for an abortion. Melanie’s mother is forced to tell the truth to Emi’s mother. Emi’s mother forces Melania’s mother to promise to keep the pregnancy secret to everyone, even to Emi. Minor’s mothers separates the two lovers and decide to give the baby up for adoption to a family of Romanians living abroad who don’t have the right to legally adopt a child from Romania.
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
Leonard Schiller once counted among New York’s literary lions, but illness and ten years of writer’s block have lowered his profile, almost to the point of obscurity. When Heather Wolfe, an ambitious literature major, asks to interview him for her thesis on his work, her interest forces him to address the issues that he has avoided all these years, and stirs in him feelings he has long forgotten, much to his daughter’s consternation.
Young lovers chase their big city dreams but get tested by lust, addiction, and the hunger for money. Will their love survive, or will reaching for their dreams tear them apart?
Jim, a white straightedge punk with a violent past, and Fred, a young black hip-hop revolutionary struggling to raise a son, spend their lunch breaks at St. Mark’s Comix together. Overwhelmed by the violence that surrounds them, the two form a friendship despite the fact that they come from different worlds. Jim’s friends, a crew of noble but misguided kids, learn that a friend was killed by a drunk driver. In their rage and frustration, they form a gang called One Less Drunk, intent on stopping drunk drivers before they get to their cars.
Marriage takes a sour turn when a middle-aged husband falls for a young and sexy woman. Things get even more complicated when his wife starts a hot affair with a young lover of her own.
Chevy Chase stars as Andy Farmer, a sportswriter who moves with his schoolteacher wife Elizabeth (Madolyn Smith) to the country in order to write a novel in relative seclusion. Of course, seclusion is the last thing the Farmers find in the small, eccentric town, where disaster awaits them at every turn.
Sidelined by an injury incurred while protecting his young brother, underground fighter Charlie Fontaine feels blindsided when he discovers his brother having sex on his couch with his new wife, Kat. Fueled by rage, a determined Charlie makes plans to get back in the ring and take on his brother in a fight to the death.
Adapted from the 1951 non-fiction account by psychoanalyst Georges Devereux, “Psychotherapy Of A Plains Indian,” the film follows the true story of Picard (Del Toro), a Plains Indian of the Blackfeet nation, as he returns from WWII and begins experiencing unexplainable symptoms shortly thereafter. He travels to the famous Winter Hospital in Topeka, Kansas, where he meets Devereux (Amalric), thus beginning a professional and personal friendship guided by compassion and understanding of Native American culture.