In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the Revolution Studios in Damascus, Syria. They have never met each other because of the occupation of the area by Israel since 1967; when Mona moves to Syria, she will lose her undefined nationality and will never be allowed to return home. Mona’s father Hammed is a political activist pro-Syria that is on probation by the Israeli government. His older son Hatten married a Russian woman eight years ago and was banished from Majdal Shams by the religious leaders and his father. His brother Marwan is a wolf trader that lives in Italy. His sister Amal has two teenager daughters and has the intention to join the university, but her marriage with Amin is in crisis. When the family gathers for Mona’s wedding, an insane bureaucracy jeopardizes the ceremony.
You May Also Like
A high school romantic comedy about freshman Victor who has contracted a case of Anya-itis, (acute and incurable love passion for high school senior Anja.) And why shouldn’t he?
A history of rivalries: Madrid and Catalans, parents and children, couples, families … all united and faced by football.
About existence from the perspective of 20 nameless black females. Each of the women portray one of the characters represented in the collection of twenty poems, revealing different issues that impact women in general and women of color in particular.
As a result of a chain of tragic accidents on a distant planet, the cosmonaut Chapayev is left alone. His life is in constant danger. Something inexplicable, which he came into contact with, will forever change his life. From now on, he will be lost not only for himself but for the people of earth as well. And he have to die many times in order to prove that he is alive.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he’s facing problems with his traditional Greek parents, who have no clue about his sexual activities.
On her 40th birthday, Amelia makes a fateful wish to be 18 again back in 2002 but soon regrets it when she’s stuck reliving the day over and over again.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
In 2016 the horror Tom Riley experienced in a home he bought at a Sheriff’s Sale was captured on 21 security cameras in the home. What if he was experiencing this over and over again in parallel universes? BAD BEN – THE MANDELA EFFECT, gathers footage together that shows the paranormal experiences Tom had, seem to keep occurring.
A day in the life of a comic book artist and his family in post-Soviet Russia. While suffering from the flu, Petrov is carried by his friend Igor on a long walk, drifting in and out of fantasy and reality.