The Spirit of Man (Ronald Colman) debates history with the devil (Vincent Price) before a court of fate, because of the hydrogen bomb.
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An airplane exposed to radiation lands, and blood drinking zombies emerge armed with knives, guns and teeth! They go on a rampage slicing, dicing, and biting their way across the Italian countryside.
A circle of thirty-something friends reunite for a weekend away to celebrate the same sex wedding of a member of their group. Yet, despite their best efforts to behave themselves, a series of surprise plans, unexpected arrivals and exposed secrets lead to an explosion of drama that, coupled with the flammable combination of hurt feelings, unresolved tensions, and lots of wine cannot be contained.
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.
Prince Nikki, Lieutenant of the Guard in pre WWI Vienna, is flat broke, but the only advice he gets from his parents is either to shoot himself or to marry money. During the Chorpus Christi parade his horse accidentaly hurts poor Mitzi, the daughter of inn-keepers in a Viennese suburb, who is, according to the wishes of her parents, going to marry the butcher Schani. When Nikki visits her at the hospital, they fall in love, much to the dislike of her parents and Schani. Nikki’s parents, meanwhile have arranged a prospective marriage with Cecilia, the limping daughter of a very rich non-aristocratic industrial. Due to the fact, that Nikki’s father is a general in the Austrian-Hungarian Army, resitance is useless. When Mitzi, after hearing of it, is still refusing Schani’s proposal, he vowes to shoot Nikki when he leaves the church.
Two sisters struggle with what it means to be a mother. One after the sudden loss of her baby, the other with her own inability to care for her young child. Together they find hope in the face of tragedy.
Advertising executive Nick Marshall is as cocky as they come, but what happens to a chauvinistic guy when he can suddenly hear what women are thinking? Nick gets passed over for a promotion, but after an accident enables him to hear women’s thoughts, he puts his newfound talent to work against Darcy, his new boss, who seems to be infatuated with him.
This South Korean film takes place on an isolated lake, where an old monk lives in a small floating temple. The monk has a young boy living with him, learning to become a monk. We watch as seasons and years pass by.
Ruthless silver miner, turned oil prospector, Daniel Plainview moves to oil-rich California. Using his adopted son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainviews motives and intentions, starting a slow-burning feud that threatens both their lives.
“STATISTICS” tells the story of six individuals who all share one thing in common: they will become statistics by the end of the day. They are neither heroes nor criminals, but everyday people who will become victims of everyday life. The events that take place will be read about today and forgotten tomorrow, but in that blink-of-an-eye, their lives and the lives of the people around them will be changed forever. It happens every day. Despite the tragedies, this is not a story about dying, but is in fact a very uplifting story about living. The message is simple: cherish life today because no one is guaranteed a tomorrow.
Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.