The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.
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Legendary oceanographer Sylvia Earle and a cast of pioneering marine scientists tell the story of the incredible work being undertaken across the planet to protect the fragile ecosystem of our oceans.
A study of the dark legends that surround the Camp Hero Air Force Base in Montauk, Long Island.
A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.
Donte Clark’s poetic voice was honed on the violent street corners of a struggling city. Yet rather than succumb to the pressures of Richmond, CA, Clark uses his artistic perspective to help save his city from itself.
This intimate and loving portrait of the legendary arbiter of fashion, art and culture illustrates the many stages of Vreeland’s remarkable life. Born in Paris in 1903, she was to become New York’s “Empress of Fashion” and a celebrated Vogue editor.
IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.
Through the heart and photographic lens of international photographer Jo-Anne McArthur, we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, the U.S. and in Europe. Each story is a window into global animal industries: Food, Fashion, Entertainment and Research.
Bill Bellamy’s groundbreaking comedy tour brings together some of today’s hottest male comics on showcase for the ladies of America. Featuring comics Ali Siddiq, Jay Reid and D’Lai.
Recorded live at Hammersmith Apollo, Russell questions the values of heroes and leaders. ‘Messiah Complex’ is a disorder where sufferers think they might be the messiah. Did Jesus have it? What about Che Guevara, Gandhi, Malcolm X and Hitler? All these men have shaped our lives and influenced the way we think. Their images are used to represent ideas that often do not relate to them at all. Would Gandhi be into Apple? Would Che Guevara endorse Madonna? Would Jesus be into Christianity? He concludes it’s all a load of rubbish and encourages the audience to stop voting, ignore advertising, look to the transcendent within themselves and others…and kick over some bins on their way home. Plus there’s sex. Obviously.
White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.
