Plunge into Italian surf culture as local champions, rising stars and hobbyists open up about their lifestyles, favorite spots and love of the sport.

A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the “Exile” album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It’s music from start to finish: hard rock (“All Down the Line”), the blues (“Love in Vain” and “Midnight Rambler”), a tribute to Chuck Berry (“Bye Bye Johnny”), and no “Satisfaction.”

In Pride And Prejudice: Having A Ball, social historian Amanda Vickery leads the action as a team of experts recreate a Regency ball in honour of the 200th anniversary of Jane Austen’s popular novel. Joined by Alastair Sooke and a coterie of professionals – a food historian, a costume expert, music history academics and a choreographer who trains a team of dance students to take to the floor– cameras will follow the recreation inspired by Austen’s Netherfield ball. This intimate country house ball drives the plot of the Pride And Prejudice, and is a key turning point in the romance between Elizabeth Bennett and Mr Darcy.

A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

OUR BODIES OUR DOCTORS tells the story of a rebellion in the field of medicine as a cohort of physicians faces abortion stigma within their own profession and confronts religious control over health care decisions. Their fight takes them into a larger struggle over the heart and soul of American medicine.

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After eight years of sharing snippets of his life online, see the intimate truth of Tyler Oakley’s relationship with family, followers and fame on his sold out international tour.

The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania’s most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi’s most famous characters. Also through Bahoi’s own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.

Coal mining was the life blood of Wales… until it wasn’t.

From the discovery of huge oil fields off the coast of Scotland to their mass privatisation during the Thatcher era, The Oil Machine highlights how oil became the invisible engine driving UK economic and public policy. In the wake of COP26 in Glasgow, demand for climate action has become a key societal concern and the pressure on both oil companies and the government continues to mount. Bringing together a wide range of voices, from industry executives and economists to young activists, Davie offers a visceral and thought-provoking interrogation into how this insidious machine might be dismantled.

A personal, accessible look at an artist – Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?

The film is a sobering, intimate and warm account of daily life in Kabul during the silent intervals between suicide bombings. The bombings that happened, and those that will, define life for the film’s characters; a father who works as a bus driver, and two young boys whose policeman father is away due to murder threats.