Bride of Frankenstein begins where James Whale’s Frankenstein from 1931 ended. Dr. Frankenstein has not been killed as previously portrayed and now he wants to get away from the mad experiments. Yet when his wife is kidnapped by his creation, Frankenstein agrees to help him create a new monster, this time a woman.

Davy and Ally have to re-learn how to live life in Edinburgh after coming home from serving in Afghanistan. Both struggle to learn to live a life outside the army and to deal with the everyday struggles of family, jobs and relationships. Sunshine on Leith is based on the sensational stage hit of the same name, featuring music by pop-folk band The Proclaimers.

Suddenly catapulted into high society, a young woman who lacks a bit of finesse tries to integrate into her new surroundings.

While escaping from Nazis during the WWII, a Jewish man dug suitcases full of things dear to his heart in the ground two. The war deprived him of his family, and afterwards he endlessly turns over the soil of Antwerp to find the suitcases, which makes him look obsessed. He keeps checking old maps and keeps digging, trying to find, in fact, those he lost. His daughter Chaya is a beautiful modern girl looking for a part-time job. She finds a place as a nanny in the strictly observant Chassidic family with many children, although her secular manners clearly fly in the face of many commandments. One of the reasons she is accepted is that mother of the family is absolutely overburdened by the household, so she stays despite the resistance of the father, normally – an indisputable authority in the family. She develops a special bond with the youngest of the boys, four-year old Simcha, so far incapable of speaking.

Gary, who has just married Samantha, the woman of his dreams, discovers that her six-year-old son may be the Antichrist.

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Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.

When struggling pianist Michael lands a job at the legendary Continental Baths in NYC, his wife Tracy encourages him, emphasizing how special the institution is. Michael, however, struggles with his own homophobia, yet at the same time, starts developing feelings for his confident and sexually free co-worker, Scotti.

A hard-working cupcake maker is inadvertently elected mayor of a small town burdened with debt. With no formal experience or education to speak of, she must rely on her street smarts to clean up the town.

Paul, a rich English boy, and Michelle, an orphaned French girl, run away from home to a remote beach. Living on their own, their friendship grows into love.

Teddy Duncan’s middle-class family embarks on a road trip from their home in Denver to visit Mrs. Duncans Parents, the Blankenhoopers, in Palm Springs. When they find themselves stranded between Denver and Utah, they try to hitch a ride to Las Vegas with a seemingly normal older couple in a station wagon from Roswell, New Mexico. It turns out that the couple believes they are the victims of alien abduction. The Duncan’s must resort to purchasing a clunker Yugo to get to Utah, have their luggage stolen in Las Vegas, and survive a zany Christmas with Grandpa and Grandma Blankenhooper.

During the Korean War, the lieutenant in charge of a Marine rifle platoon is killed in battle. Before he dies, he places the platoon’s sergeant, who’s black, in charge. The sergeant figures on having trouble with two men in his platoon: a private who has much more combat experience than he does, and a racist Southerner who doesn’t like blacks in the first place and has no intention of taking orders from one.