Returning home from a business trip, an architect assumes that a client is having an affair with his wife and murders the man. His feelings of guilt and attempts to conceal the crime lead to more complications and death.
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Soul-touching and moving, TWO WAYS HOME compassionately follows Kathy (Tanna Frederick), a woman newly diagnosed with bipolar disorder who is released from prison on good behavior and returns to her country home in Iowa to reconnect with her estranged 12-year-old daughter (Rylie Behr) and her cantankerous elderly grandfather (Tom Bower). Her return home is turbulent and a rough, unwelcome transition in which Kathy must come to terms with her diagnosis and its implications on her identity, while also realizing that her family was happier when she was gone. Conflict with her family intensifies as she struggles to keep her head above water, putting her self-worth and well-being to the ultimate test.
Something is missing in Tom’s life. His marriage has lost its spark, his job is suffocating him, and his childhood best friend Dan still clings to the past. Every day he goes through the motions, becoming increasingly detached from those around him. Dan has the solution… something Tom’s got to see to believe… tonight. What Dan shows him leaves Tom unsettled, flooding his mind with disturbing images, and binding the two friends together with its ugly secret.
Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school’s operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There’s a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?
Lydia is an overweight sales clerk in a trendy home furnishings store, nearing 30. Though she is a member of a Fat Acceptance Group (a movement dedicated to fighting prejudice against overweight people), she is still struggling with complex feelings about her body and its place in the world. Darcy, a recovering-anorexic real estate agent in her mid-20s, is struggling with the same issues from a very different perspective.
After twenty-five years, Silva rides a horse across the desert to visit his friend, sheriff Jake. They celebrate the meeting, but the next morning, Jake tells him that reason for his trip is not to go down the memory lane of their friendship.
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Will Mannon, “product of the Devil’s loins,” is released from a frontier prison and promptly goes in search of the people who put him there some 12 years ago — Matt Dillon and Kitty Russell.
When two brothers organize the robbery of their parents’ jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.