Evil Mr.Grimes keeps a rag-tag bunch orphans on his farm deep in a swamp in the US South. He forces them to work in his garden and treats them like slaves. They are watched over by the eldest, Molly. A gang in league with Mr. Grimes kidnaps Doris, the beautiful little daughter of a rich man, and hides her out on Grimes’ farm, awaiting ransom. When the police close in, and Mr. Grimes threatens to throw Doris into the bottomless mire, Molly must lead her little flock out through the alligator-infested swamp.

Rejected by his father at birth, a boy with albinism navigates a childhood of bullying, tragedy and cautious hope.

Fuel is the story of a young man’s struggle to save his girl from an abusive environment. Emilio discovers that he has the ability to run incredibly fast. With the hope of a scholarship, he sees an opportunity to be able to leave his hometown, along with all his troubles, and take Sandy with him. But a tragic flaw, a violent streak he possesses, induced by exposure to gasoline vapors, will all but destroy his best-laid plans. Emilio’s hopes race through his heart, not like blood, but like fuel.

A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives.

In the hazy aftermath of an unimaginable loss, Sarah and Phil come unhinged, recklessly ignoring the repercussions. Phil starts to lose sight of his morals as Sarah puts herself in increasingly dangerous situations, falling deeper into her own fever dream.

Grace, a teenage girl dying of cancer crashes a funeral home to find out what will happen to her after she dies but ends up teaching the awkward funeral director, Bill Jankowski how to celebrate life.

A distant, slightly dysfunctional family is brought closer together when the father’s long-estranged Uncle Nino comes from Italy to Chicago for a surprise visit.

Three hot girls, four guys, and one mega-swanky yacht collide for a serious night of drugs and sexual deviancy. One debaucherous act goes too far though, turning this teen joy ride into a weekend of bloody bedlam.

Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.

Chickie wants to support his friends fighting in Vietnam, so he does something wild—personally bring them American beer. What starts as a well-meaning journey quickly changes Chickie’s life and perspective. Based on a true story.