A young college co-ed tries joining the elite, all-male, secret society, the Skulls, and in so doing, she uncovers some unscrupulous methods used by some of the members to get what they want.
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When Monica finds out her daughter is about to die she takes extreme measures to save her.
A team of scientists is developing a new technology that captures the thoughts of a human subject and changes them into images. Still in its infancy, the technology changes thoughts into simple images and shapes. Two company interns (Matthew Andrews and Sarah Austin) have the chance to test the technology while they pursue a degree in neurosurgery. They study at a university along with other students (Anne Plaven). A brain surgeon named Dr. Marlen introduces the students to real life situations as several unexplained deaths take place around the city. When Andrews and Austin test the new technology at their company, Austin sees flashes of events in her mind. The events relate to the killings in the city. The flashes lead to new and dangerous discoveries. The students may not survive the experiment.
Todd and Bruce, a hapless screenwriting team, get one last shot at success thanks to Todd’s wealthy uncle, Sarge. If they pen a worthy horror script, Sarge will fund the entire project. But there is one condition – the script must be complete in two weeks. With the deadline looming and no fresh ideas, Todd and Bruce head to Shangri-La, a serene artist’s retreat, with the hope that the peace and company of fellow artists will inspire greatness… or, failing greatness, at least enough for straight-to-DVD. Shangri-La proves to be anything but serene, as the artists die off one by one, seemingly by accident. Bruce convinces Todd to soak in this morbid atmosphere to help with the writing, but soon those two are fighting for their lives as well.
Reincarnation goes horribly wrong releasing dark forces across time. Basia accesses parts of her mind that should never be tampered with. Past lives merge with present as her reality becomes distorted, she fights for her very existence.
After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.
Trained in clandestine combat from childhood, the Jinyiwei were masters of the 14 Blades; eight being for torture, five for killing, and the last blade reserved for suicide when a mission failed. An elite force of secret agents with a license to kill, the Jinyiwei devoted their lives and lethal prowess to the service of the Emperor alone. When the Imperial Court is taken over by evil eunuch Jia (Law Kar Ying), the best of the Jinyiwei, Qinglong (Donnie Yen) is assigned to steal a list identifying those still loyal to the Emperor. However unbeknownst to Qinglong, the Jinyiwei have fallen under the control of Jia, and during the mission Qinglong is betrayed and barely escapes with his life. Now as the most wanted man in the land, Qinglong must seek out and rally the loyalists to rise against Jia and restore the Emperor to power. In his way are the deadliest assassins in the land, his former brethren, the Jinyiwei.
From the perspective of two Palestinian men who are preparing to perform a suicide attack in Israel, this is the first film to deal with the subject of suicide bombers.
