Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and buys one of the dogs – almost dead already – for $200 against the owner’s will. When the owner Hasel complains to Mountie Sergeant Millen, he refuses to take action. But then the loathing breeder and his friends accuse Johnson of murder. So Millen, although sympathetic, has to try to take him under arrest – but Johnson defends his freedom in every way possible.

Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.

Vittles, songs and dance are amply ladeled out when Judy Garland headlines The Harvey Girls, a joyous musical slice of Americana celebrating the restaurants that brought extra helpings of civilization to Old West rail passengers.

The movie depicts a fictionalized account of “The Bascom Affair” of 1861 and “The battle of Apache pass” of 1862. U.S. Cavalry officer Maj. Jim Colton(John Lund) is a sympathetic leader who has a working relationship with Apache leader Cochise(Jeff Chandler). Maj. Colton is undermined by corrupt and politically ambitious Indian agent Neil Baylor(Bruce Cowling) who sets up a false attack, and the abduction of a local farmer’s son. While Colton is away investigating the matter, Baylor convinces Lt. George Bascom(John Hudson) that Cochise’s band is to blame, and incites him to lead an expedition against the Apache band to return the boy. The expedition ends in disaster, with hostages executed on both sides. The Apaches and Cavalry later meet in a battle at Apache pass, the first time that the Indians meet modern (for the age) artillery

After retiring from his life as an outlaw, ranch owner Nathaniel Reed quietly leads an honest existence with his devoted wife, Laura Lee. But his gun-slinging past suddenly comes back to haunt him when he learns that the man he once maimed during a stagecoach robbery is now a U.S. Marshal who will stop at nothing to find vengeance.

Circus owner Matt Masters is beset by disasters as he attempts a European tour of his circus. At the same time, he is caught in an emotional bind between his adopted daughter and her mother.

A notorious gunslinger is slipped a slow-acting poison by an heiress and told he has three days to track down and rescue her sister, who has been kidnapped by a gang of hoodlums and holds the antidote.

The murder of her father sends a teenage tomboy, Mattie Ross (Kim Darby), on a mission of “justice”, which involves avenging her father’s death. She recruits a tough old marshal, “Rooster” Cogburn (John Wayne), because he has “grit”, and a reputation of getting the job done. The two are joined by a Texas Ranger, La Boeuf (Glen Campbell), who is looking for the same man (Jeff Corey) for a separate murder in Texas. Their odyssey takes them from Fort Smith, Arkansas, deep into the Indian Territory (present day Oklahoma) to find their man.

The gangster Colorado kidnaps Marshal McKenna. He believes that McKenna has seen a map which leads to a rich vein of gold in the mountains and forces him to show him the way. But they’re not the only ones who’re after the gold; soon they meet a group of “honorable” citizens and the cavalry crosses their way too – and that is even before they enter Indian territory.

Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna’s forces at the Alamo in San Antonio, Texas.

Seven gun men in the old west gradually come together to help a poor village against savage thieves.

When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.