On March 21st, 1945, the British Royal Air Force set out on a mission to bomb Gestapo’s headquarters in Copenhagen. The raid had fatal consequences as some of the bombers accidentally targeted a school and more than 120 people were killed, 86 of whom were children.
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Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris’ family, into the company of a cousin with his own intentions.
Only one week left until South Korea will go under sovereign default. Han Shi-Hyun is a leader of the monetary policy team at the Bank of Korea. and is assigned to a crisis team.
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A university student returns home to self-isolate during the lockdown. He’s totally alone, he’s caught the virus and in order to cope, he’s started to talk to himself.
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Closing night at a rural bar gets complicated when a blizzard traps a motley crew of misfits overnight.
This remarkable animated documentary traces the unconventional upbringing of the filmmaker Jung Henin, one of thousands of Korean children adopted by Western families after the end of the Korean War. It is the story of a boy stranded between two cultures. Animated vignettes – some humorous and some poetic – track Jung from the day he first meet his new blond siblings, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and ignite the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage and archival film. The result is an animated memoir like no other: clear-eyed and unflinching, humorous, and above all, inspiring in the capacity of the human heart.
A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.
Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.
Set in a world with memory implants, Robin Williams plays a cutter, someone with the power of final edit over people’s recorded histories. His latest assignment is one that puts him in danger.