After former Afghan refugee and photographer, Muzafar Ali, discovers that Afghans have been an integral part of Australia for over 160 years, he begins to photograph their descendants in a search to define his own Afghan-Australian identity. The Cameleer Descendants are a mix of Aboriginal, Afghan and Colonial Australian and as Muzafar meets and connects with the resilient but traumatised community he learns about his new country’s complicated history. His journey is interrupted when Afghanistan is handed back to the Taliban by the US and International Forces, and he races to help his friends and colleagues left behind.

Director Martin Scorsese profiles former Beatle George Harrison in this reverent portrait that mixes interviews and archival footage, featuring commentary from the likes of Paul McCartney, Eric Clapton, Ringo Starr and Yoko Ono.

A documentary chronicling the Beatles’ rehearsal sessions in January 1969 for their proposed “back to basics” album, “Get Back,” later re-envisioned and released as “Let It Be.”

In this true-crime documentary, three guys exploit the freewheeling cryptocurrency market to scam millions from investors and bankroll lavish lifestyles.

The Flathead Indian Reservation in Montana is shaken to its core by a teen suicide epidemic that claims 22 Native lives in a single year – including two high school basketball team members. ‘For Walter And Josiah’ follows the team during their season as the surviving members play to honor their fallen brothers and uplift their community.

Werner Herzog’s documentary film about the “Grizzly Man” Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man’s attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

With exclusive access to a major new excavation, Alice Roberts discovers what King Arthur’s Britain was like, including surprisingly modern connections we all share with our past.

Guilty pleasure or genius, misfits or mavericks, noble or naff – how do we really feel about the Bee Gees? Are the brothers Gibb a cacophony of falsettos or songwriting maestros, the soundtrack to every office party or masters of melancholy and existential rage? Are they comedy or Tragedy? How deep is our love and how deep are the Bee Gees? With a back catalogue that includes hits like How Do You Mend a Broken Heart, Massachusetts, Islands in the Stream, Stayin’ Alive, Chain Reaction, How Deep Is Your Love, Gotta Get a Message to You, Words, To Love Somebody and Night Fever, the Bee Gees are second only to the Beatles in the 20th-century songwriting pantheon, but while their pop success spans several decades, there are different Bee Gees in different eras. Is there a central glue that unites the brothers and their music and, if so, what is it? The Joy of the Bee Gees features a rare interview with the last remaining Bee Gee brother, Barry Gibb, many of those musicians and industry …

A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.

Captain Edward A. Salisbury was a noted millionaire explorer and writer, whose exploration stories of the islands of the South Seas Pacific appeared often in “The National Geographic,” and other magazines in the early part of the 20th-century, spent 18 months exploring the New Hebrides islands where head-hunting and cannibalism was practiced by some of the natives. The footage shot by Captain Edward A. Salisbury was put together to make this film. Captain Salisbury explained that ‘gow’ was the native term for the practice of head-hunting, and was not the name of one of the head-hunters.

From trying to order Popeyes after his stroke to popping Viagra on a plane, revered comedian Keith Robinson gets real in this hilarious stand-up special.

More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.