Tess Delaney gets the surprising news by estate executor Damhnaic McAuley that she has inherited half of an apple orchard from the father she never knew and has a half-sister she didn’t know about. When she visits the orchard and connects with her new-found family, she learns that the orchard is deep in debt. Using her knowledge as an antiques expert, Tess and her half-sister work to unravel the mystery of their grandmother’s “treasure” that could hold the key to saving the orchard. And, in the process, Tess ultimately finds a new understanding of herself.
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On the verge of despair at his overly controlled life, a repressed teenage geek attends a student conference where he picks up the thoughts of a rebellious, adolescent schizophrenic and realises that he is telepathic; but when he is kidnapped by a scientist engaged in unethical experiments, he must grow up, take the lead and enlist the help of this unlikely friend before he and other young telepaths are killed.
Eight women miners get fed up with their lifestyle and decide to try crime. After successfully pulling off a jewelry store robbery, they are busted by narcs when they try to buy cocaine. The eight get sent to a prison where a butch head guard uses the prisoners for her own deviant pleasures. Two of the women manage to escape and then get mixed up with a shah who had a scarab ring stolen in their jewelry heist.
Set in Stalin-era Soviet Union, a disgraced MGB agent is dispatched to investigate a series of child murders — a case that begins to connect with the very top of party leadership.
Hella lives in a boarding house and has various romantic adventures before settling down with vacuum cleaner salesman Winkler.
Burned out from the hubbub of the Chicago gallery world, artist Kelly returns home to the picturesque Grand Valley just in time for Christmas. Leo, businessman and all-star dad to his children, struggles to balance his time this holiday season. When he is assigned to review a hotel in Grand Valley for its value, he sees this as the perfect opportunity for a Christmas family vacation. It isn’t long until Kelly and Leo’s worlds collide.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
The devious Dr. Albert Beck finds his latest stalking victim after changing his identity and beginning work at a sleep clinic.
Kaj is a stubborn man with a great deal of pride. The former chef lives in a council flat. He has wasted his life and is now on a council job training scheme for the long-term unemployed, where he refuses to let the foreman of the activation project boss him about. When Kaj’s daughter, with whom he has not been in touch for nineteen years, moves into the same council estate on the run from her violent husband, a change comes over Kaj. His initial instinct is to avoid her, but by chance he ends up helping to look after Jonas, her six-year-old son. For the first time for years Kaj need not survive on his own devices. Now he has responsibilities and a family of his own.
Bahar, who received different trainings to realize her ideals and dreams of starting her own business, one day crosses paths with Kadir, who is married and has a daughter. Kadir, who has high persuasion skills and antisocial personality disorder, convinces Bahar to live together.
Evelyn, an ex-burlesque queen, bewitches single dad Al and his teenage son Fin with her zest for life. When father and son discover they are competing for the affections of the same woman, it reopens old wounds over the death of Fin’s mother.