Through filming incredible spiritual encounters around the world, Darren Wilson cuts through religious misconceptions in an effort to find the true nature and character of God.

In this documentary about friendship and perseverance, three young transgender women from El Salvador and Honduras go on a 2,400-mile journey with the high-profile migrant caravan. These women, strangers at the outset and fleeing extortion, discrimination, and abusive relationships, endure hardship as they slowly make their way to the US, teaming up with other trans girls along the route and integrating with the caravan’s LGBTQ community.

A Beautiful Planet is a breathtaking portrait of Earth from space, providing a unique perspective and increased understanding of our planet and galaxy as never seen before. Made in cooperation with the National Aeronautics and Space Administration (NASA), the film features stunning footage of our magnificent blue planet — and the effects humanity has had on it over time — captured by the astronauts aboard the International Space Station (ISS) Exclusive IMAX and IMAX® 3D engagements of A Beautiful Planet begin April 29th.

Well-known television personality Bob Saget — perhaps best known for his portrayal of squeaky-clean TV dad Danny Tanner on “Full House” — headlines an unpredictable evening of adult-flavored comedy in this raucous stand-up special. Highlights include Saget’s performance of “Danny Tanner Is Not Gay,” a pop parody set to the tune of the Backstreet Boys’ “I Want It That Way,” and the music video “Rollin’ with Saget” featuring Jamie Kennedy.

In a South London police station, officers are shocked to discover a man has been murdered in a locked cell. The suspected killer is his cellmate, a homeless man named Kieran Kelly, in custody for theft. Police interview 53-year-old Kelly, who has a long rap sheet for petty crimes, and he calmly confesses to killing the man in the cell, but detectives are unprepared for what comes next.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

The film follows the 21st Century formation of WITCH (We Intend To Cause Havoc), Zambia’s most popular rock band of the 1970s, and documents the life of its lead singer, Jagari, whose name is an Africanisation of Mick Jagger’s. Through the resurrection of a music that was forgotten by many and unheard by most, the film explores the life of a former African rock-star, and the excitement around the rediscovery of his music by Western fans, many of whom had yet to be born when his last album was released.

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot.

On the heels of The New York Times’ breaking news story revealing new information about President Trump’s financial history, David Barstow, Russell Buettner and Susanne Craig expose the untold story of how Donald Trump became rich.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Chaos theory has a bad name, conjuring up images of unpredictable weather, economic crashes and science gone wrong. But there is a fascinating and hidden side to Chaos, one that scientists are only now beginning to understand. It turns out that chaos theory answers a question that mankind has asked for millennia – how did we get here?

From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there’s been one constant since its formation in 1982–singer, songwriter Michael Gira. ‘Where Does a Body End?’ is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says “What else am I going to do?”