In the midst of World War 2, intelligence services from England, Germany and Russia collided in a fierce fight for the mind of Nicky Raus, a genius German Jewish scientist who’s developing a weapon of tremendous power. An American agent, Frank Hossom, enters the game when German agents undertake a daring operation stealing the scientist. Frank has to get the scientist back – dead or alive. His mission is complicated by his developing relationship with Olga Ryabina, Nicky’s lover, an actress forced to work for KGB. The love triangle and the international intrigue weave into a deadly net.
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A guy (Jesse Bradford) has his life planned out, until he is wooed, groomed and then dumped by an elusive woman (Elisha Cuthbert).
Maryam and Nasser are set to travel from Riyadh to attend their father’s wedding in Abu Dhabi, until the flight is cancelled. Undaunted, they decide to make the journey by car instead. Their time together will mend a relationship that has frayed since their mother’s death as they share their feelings about their overbearing father––but, they underestimate the many hazards of the desert road, including an angry stranger whose terrifying pursuit has the brother and sister driving for their lives.
When cabaret singer Lily writes Toraya about her illness, Tora-san rushes to Okinawa to be by her side.
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Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang “Mother Medusa”.
In the early 1990s, experiments were carried out secretly in Japan. Two different methods were used in the experiments. One method involved forcing stress upon expecting parents and when the baby was born, provoke the baby into mutations and develop their special abilities. The other method involved birth to babies having abilities of animals and insects. The special abilities were derived from gene manipulation. Subaru, Saya and others were born from those experiments.
