The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold’s personal quest to find the truth behind its midget James Bond superstar Weng Weng.
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After being in the dating game for a while, comedian Bruna Louise has mastered the art of terrible relationships — by turning them into hilarious jokes.
Maryam Zaree was born in one of Iran’s most notorious political prisons. In her documental debut, she embarks on a personal search for clues: in an effort to break the silence, she talks with her parents about the violent circumstances surrounding her birth. And she asks other children born in Evin about their experiences and the traumatic consequences. Maryam Zaree’s cinematic approach unfolds through her own biography, but beyond this it alerts us to the horrors of persecution and dehumanisation in Iran and the rest of the world.
Michael Moore’s Capitalism: A Love Story comes home to the issue he’s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
“What would the world be like without Beethoven?” That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven’s innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.
Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.
A documentary about Forbidden City, a San Francisco Chinese-American nightclub open from the 1930s to the 1960s.
Join Norwegian electronic music superstar Kygo onstage and behind the scenes as he performs at the famed L.A. venue with a bevy of special guests.
“Mudanza” (Removal) came to be made after the curator Hans Ulrich Obrist was asked for involvement in a project in the Huerta de San Vicente, the home and museum of the García-Lorca family in Granada. The film records the removal of furniture and objects from the building, leaving visitors able to move freely amongst its empty spaces and a silence charged with feeling and resonance and the take from the experience whatever they demand from it – thus making poet Federico García Lorca’s emotive and historic absence even more powerful, evident and heartfelt.
In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which, with the pressures of posterity and the coolly exacting Sondheim’s perfectionism hanging over them, all involved pushed themselves to the limit.
The passion of the riders and the soul of their machines. WINNER – Best Documentary -Motorcycle Film Festival 2013 — An inspiring adventure into the world of motorcycling, told by the famous racers, passionate riders and everyday families who live each day to the fullest on their two-wheeled machines.
Exploring the politics of race in America, the surprising history of its weaponization for political gain, and the Black Americans who are fighting back.