Set in 1952, as England prepares for the coronation, The Scapegoat tells the story of two very different men who have one thing in common – a face.
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Chantal, a chubby girl of twelve, is having a hard time finding her way throughlife. She doesn’t have a lot of friends, and at home she can only turn to herstepfather for support as she doesn’t get along with her mother or stepbrother.Only in the local pool, where she is training intensively for an upcoming swimmingcompetition, does she truly feel at home. But when she needs a new pair ofgoggles, things don’t go as smoothly as planned and she takes everything to gethold of them.
Four separate narratives weave their way together in this impactful drama, from the harrowing slums of Bogotá to the hills of Hollywood. A 14-year-old street girl and an American writer discover an uncommon union, a day-care teacher in Los Angeles does everything she can to fight the weight of a tragic secret and a university student invites a terrible danger into her world. Starring Rachel Leigh Cook, Daniel Gillies and Seymour Cassell.
When her husband is framed and imprisoned for serial murders, a doting wife must perform a copycat murder, to prove her husband’s innocence.
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
Hong Kong, 1960s. Zhang, a shy tailor’s assistant, is riveted by his imperious client Miss Hua. Upon meeting her, she seduces him to make sure he will truly remember her when designing her garments. After this intimate first encounter, a rapport develops between the two. Entry is for the theatrically released extended version, not the segment from the Eros anthology.
In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by Weber. While generational traumas find new expression in the present, the family in EVOLUTION looks towards a more hopeful future
As Aunt Alice, Ruth Gordon applies for the job of housekeeper in the Tucson, Arizona home of widow Claire Marrable in order to find out what happened to a missing widowed friend, Edna Tilsney. The crazed Page, left only a stamp album by her husband, takes money from her housekeepers, kills them, and buries the bodies in her garden. Alice is a widow too. So is neighbor Harriet Vaughn. Lots of widows here.
A young girl learn to accept love and change, after being sent to live with her uncle in Indiana.
A documentary interspersed with acted scenes, this portrait of John DeLorean covers the brilliant but tragically flawed automaker’s rise to stardom and shocking down fall.
At an elite New England university built on the site of a Salem-era gallows hill, three black women strive to find their place. Navigating politics and privilege, they encounter increasingly terrifying manifestations of the school’s haunted past… and present.
When a forty-year-old divorced father discovers that he needs to undergo an operation, which he can not afford, within the next 4 days, he finds himself forced to deal with the life he isolated himself from for the longest time.