In Florida, a rare event between top ocean predators was captured on video: bull sharks attacking a great hammerhead. Dr. Heithaus and a team of shark experts launch an investigation pinning one against the other. They put experiments to the test to see what happens when these top predators come head-to-head.

The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea’s vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.

Art, Beats + Lyrics celebrates the legacy of the groundbreaking visual art and hip hop roadshow that began in Atlanta in 2004 and has since become a national phenomenon. The documentary chronicles the lead up to AB+L’s twentieth anniversary tour.

On October 1, 2019 Alberto Salazar, perhaps the greatest track coach on Earth, was suspended for doping violations. Did he do it? Or is Salazar being victimized for his obsessive methods of pushing athletes to their absolute limits.

Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.

The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.

Teenagers did not exist before the 20th century. Not until the early 1950s did the term gain widespread recognition, but with Teenage, Matt Wolf offers compelling evidence that “teenagers” had a tumultuous effect on the previous half-decade.

John Meehan created a terrifying trap of seduction, deceit and betrayal for countless victims. The illuminating revelations into his backstory showcase a series of events that flipped switches to create a monster wired for psychopathy. Goffard exposes John’s troubled background that built the foundation for his ominous fantasy world of lies and manipulation. In addition to hearing the Newell family’s terrifying tale, John’s first wife Tonia Bales and her daughters Emily and Abigail Meehan speak out, along with other women from his past who were caught in his web of lies.

A documentary about the Jewish people in Romania and their several migrations towards Israel, across history and changing political frames – everything presented in a self-proclaimed dadaist style.

Freedom Fighter looks at persecution around the world, while following the story of Majed El Shafie, an Egyptian man tortured and sentenced to death in Egypt for his faith. Now he fights for the those who are suffering under severe persecution, even risking his life to save a little girl named Neha in Pakistan who was raped at the age of 2 by a Muslim extremist.

Two real-life daredevils test the limits of their love and trust by illegally scaling one of the world’s tallest buildings to perform an acrobatic stunt.

Blue Pullman is a 1960 short documentary film directed by James Ritchie, which follows the development, preparation and a journey from Manchester to London on new British Railways Blue Pullman units. As with earlier British Transport Films, many of the personnel, scientists, engineers, crew and passengers were featured in the 20 minute film. It won several awards, including the Technical & Industrial Information section of the Festival for Films for Television in 1961. The film is also particularly noted for its score, by Clifton Parker, which, unlike the earlier Elizabethan Express is uninterrupted by any commentary.