THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.
You May Also Like
A twisted horror about a dinner party gone wrong. Set against an 80s backdrop, the good time takes a dark turn when one in the group hijacks the evening in an attempt to help the others come clean about their secret betrayals against one another–and is willing to cut through the bone in order to expose the truth.
The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.
Sheds light on an alternative approach to farming called “regenerative agriculture” that could balance our climate, replenish our vast water supplies, and feed the world.
Mary, a remarkable 90-year-old, defies norms with her zest for life. This documentary explores her journey through feminism, emigration, art, education, and sailing.
The story of Lynyrd Skynyrd; The Greatest American Rock Band Ever. We fly beyond Free Bird to celebrate the life & times of leader Ronnie Van Zant, from boogie-woogie beginnings in Jacksonville’s Shantytown to a tragic end in a Mississippi swamp.
Hashima Island was once the most densely populated island but has been a ghost island since 1974. A group of teenagers will now step foot on this island to capture paranormal encounters on tape. On the island, the teenagers are thrilled as they explore. However, their excitement is short-lived. They realize something ominous is creeping up on them and the hair-raising truth unveils through the lens of the camera.
Scottish animators Will Anderson and Ainslie Henderson star in and co-direct this inventive documentary. Albeit framed as a film for Will’s mother, we too are invited to witness how Will deals with the grief of his mother’s cancer. The duo work on their animations and face the frustrations of trying to make this documentary. Whilst alone, Will turns to DOM, the animated cat that lives on his laptop screen.
Salem’s Lot is a 1979 American television adaptation of the novel of the same name by Stephen King. Directed by Tobe Hooper and starring David Soul and James Mason, the plot revolves around a writer returning to his home town and discovers the citizens are turning into vampires. It combines elements of both the vampire film and haunted house subgenres.
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
A mother must protect her family on Christmas Day from a demented stranger who is hell bent on tearing them apart.
Dead West – or The Rise of the Horror Genre and the Fall of the Western. The story of a western movie actor (Johnny Dust) still trying to make it big in a western film studio and theme park, when a ‘new management team’ takes over the park and turns the film studio into a fright-fest for the month of Halloween. Haunted by the image of his dead western movie hero, who appears to him on the little screen, Johnny unravels the real intent of management and its opening night ‘spectacular’, which takes place in the depths of the park’s cave.