A disillusioned London chef visits Nigeria and struggles with her matchmaking mother and restoring the family’s rundown hotel. She’s heartbroken when she discovers the man she loves is buying it.
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When new students can’t get onto their college cheerleading team, they form their own squad and prepare for a cheer off.
43-year-old Armand Lacourtade, a man who sells farm machines in the country, is getting sick of his homosexual life. When he encounters a young girl called Curly, he changes sides. Chased by her parents and the police, they brave all dangers to live this forbidden love and become an odd couple. But is it really what Armand dreamed about?
With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?
Punchy, misanthropic and darkly humorous, Ashley’s provocative material tackles all sorts of hot topics from Brexit, the Palestine/Israel Conflict, to privilege and austerity. With a philosophical humour that sticks two fingers up at the intelligentsia, Ashley is the self proclaimed “Genocidal Liberal” who embodies the working class wit breathing life back into an apathetic world.
In Shibamata, Tokyo, Tora-san’s family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san’s wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.
“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.
A group of people meet for the first time in a long time and play a game that reveals each other’s secrets.
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.
Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him.
Two colleagues at a revolutionary research lab design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound.
It’s Christmas, so come with us on a blood-soaked sleigh ride to the conservative hometown of trans true-crime podcaster, Lola. Worried about the town’s reaction to her transition, Lola is ready to take on anyone this holiday season! However, she didn’t expect that person to be a Santa masked killer – paying grisly homage to the town’s own haunted legend, The Toymaker. Now Lola – who has her own connection to the original Toymaker murders – must put an end to these gruesome murders.