On the lazy banks of the Mississippi, a young girl is reunited with her time-served but innocent father. But the reunion is tainted with the whereabouts of the stolen loot, and those who come looking for it…
You May Also Like
It is 1889, New Mexico. The gold rush is over and most of the prospectors have moved on. In the middle of nowhere stands a crumbling Antebellum mansion – a bordello that has seen better days. Enoch, the inept pimp, owes a considerable amount of money to the town’s psychopathic Sheriff. Money is tight: business is down and the five-woman in the house are tearing each other apart. The only thing they can agree on is their love for Angel, a seven-year-old child whose mother died in childbirth.
An old house stands amongst newly built buildings, as if it has been left behind. Tamako, a popular fortune teller, has been living there alone with her son, Tadao, for years. Because he has intellectual disability and autism, their neighbors often complain about his unpredictable behaviors. One day, Tamako is informed that a room is available in a group home owned by a company that runs the community workshop Tadao works at. Residents there all have intellectual disability but are living together to be independent from their families. Tamako decides to let Tadao move into the group home, but the sudden change of environment confuses him.
After a road accident in Hungary, the American honeymooners Joan and Peter and the enigmatic Dr. Werdegast find refuge in the house of the famed architect Hjalmar Poelzig, who shares a dark past with the doctor.
Forced to give up his land and home, Texas rancher Red Bovie isn’t about to retire quietly in a dismal trailer park. Instead he hops in his Cadillac and hits the road with his estranged grandson for one last wild adventure filled with guns, women and booze. It’s just another night in Old Mexico.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
Set in the 70’s era of Mumbai and raised in the impoverished dagdi chawl’s, mill worker Arun Gulab Gawli rises to the position of a dreaded don, a politician and ultimately becomes the chief adversary of the renowned Dawood Ibrahim.
A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?
When Freddy Lupin’s wayward wish transforms him into a werewolf and deposits a mischievous moon sprite on Earth, Freddy must restore the cosmic order before the earth and moon collide.
Argentina, 1985 is inspired by the true story of Julio Strassera, Luis Moreno Ocampo and their young legal team of unlikely heroes in their David-vs-Goliath battle in which, under constant threat, they dared to prosecute Argentina’s bloodiest military dictatorship against all odds and in a race against time to bring justice to the victims of the Military Junta.
In this story-within-a-story, Anna is an actress starring opposite Mike in a period piece about the forbidden love between their respective characters, Sarah and Charles. Both actors are involved in serious relationships, but the passionate nature of the script leads to an off-camera love affair as well. While attempting to maintain their composure and professionalism, Anna and Mike struggle to come to terms with their infidelity.
