Asterix and Obelix have been given a tough mission: Transform the chief’s lazy nephew Justforkix into a warrior. When the Vikings abduct him and bring him back to their homeland, Asterix and Obelix must travel to Norway to rescue Justforkix.

Relaxing on a cozy beach, the Straw Hat Pirates are taking a rest from their quest. Right until Luffy noticed the Going Merry has been hijacked and sailed off from the beach. This leads them to search the ship and find the thief who took it from them. They ran into a duo named the Theif Brothers, who informed them that their ship was stolen by a group of pirates called the Trump Kyoudai. When they encountered the Trump Pirates, Nami ended up getting kidnapped as well as Luffy’s hat. They tracked down the pirates to their base on Clockwork Island. Now Luffy, Zoro, Sanji, Usopp, and the Theif Brothers must reclaim the Going Merry, Save Nami, and get back Shank’s straw hat.

In a freewheeling stand-up performance for a packed Montreal arena, the comedian shares stories about paintball mishaps, McDonald’s misdeeds and more.

Detective Yvonne is the widow of police chief Santi, a local hero in a town on the French Riviera. When she learns he was in fact a crooked cop, she tries to right his wrongs. Crossing paths with Antoine, a victim of Santi, sets off a series of wild events.

Len is a Surf Lifesaving champion, a legend in the cloistered surf club just like his father. When the younger, faster, and fitter Phil arrives at the club, Len’s legendary status starts to crumble. Then Len sees Phil arriving in the company of another man. Phil is gay. After the annual awards dinner, Len finds Phil in the Club House locker room and violently attacks him. To Len’s surprise, Phil refuses to rat on Len about the beating. When Phil wins the annual Surf Lifesaving competition, Len’s defeat is final. In an act of revenge, Len gets Phil drunk and subjects him to a series of humiliating acts. But, the hatefulness forces Len to come face to face with a fundamental question: can he accept the truth about his own sexuality.

“Cavemen” is a comedic film with a slight edge of drama revolving around the lives of somewhat single, somewhat unemployed guys living in a warehouse converted to living quarters in the ‘Arts District’ of Downtown Los Angeles, California they are toiling adulthood and realities of love.

The extravagant cop Michael Dooley needs some help to fight a drug dealer who has tried to kill him. A “friend” gives him a dog named Jerry Lee (Officer Lewis), who has been trained to smell drugs. With his help, Dooley sets out to put his enemy behind the bars, but Jerry Lee has a personality of his own and works only when he wants to. On the other hand, the dog is quite good at destroying Dooley’s car, house and sex-life…

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When a tiny intergalactic starship crashes into the bedroom of middle-schooler Rod Allbright, he is enlisted by the extraterrestrial Galactic Patrol, a group of out-of-this-world lawmen, and must race to save the world from Total Planetary Disaster with his cousin Elspeth.

Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang (as himself) to direct an adaptation of “The Odyssey,” but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.