Our hero, Cooper, awakes to find himself nauseous, weak and covered in webbing, hanging from the ceiling of an office where, just minutes ago, he started his new job. As he struggles out of his slimy prison he comes face to face with his opponent – a grotesque, powerful and very angry bug. All 3 ft of it

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

Mariana 627, a sci-fi short about Kurt, a lone technician aboard a remote monitoring outpost deep in space, who finally gets a chance to leave his station and make the long journey home. But before he can, he must first train an interfacing AI system named IZAK to run the facility in his absence.

One man’s mundane evening turns into a hide and seek fight for survival when his home is invaded by some unexpected guests.

A group of former computer University colleagues and their partners meet for dinner after several years only to share one of the most secret files on the Internet.

An airplane exposed to radiation lands, and blood drinking zombies emerge armed with knives, guns and teeth! They go on a rampage slicing, dicing, and biting their way across the Italian countryside.

When a cocky industrialist’s efforts to raise an ancient Chinese temple leads him to be seriously wounded and captured by enemy forces, he must use his ideas for a revolutionary power armor in order to fight back as a superhero.

As a rogue planet roars through our solar system, it acts as an intergalactic magnet that pulls Earth in its wake. Meteors destroy major cities. Fire and ice storms engulf the land. Casualties are in the millions. And as the situation grows even worse, Steve Lannon is determined to reunite with his wife and teenage daughter. But when they stumble into a secret government installation, they’ll uncover a nuclear mission that will either blast our planet back into orbit or guarantee front row seats to the end of the world.

Already deep into a second Cold War, Britain’s Ministry of Defense seeks a game-changing weapon. Programmer Vincent McCarthy unwittingly provides an answer in The Machine, a super-strong human cyborg. When a programming bug causes the prototype to decimate his lab, McCarthy takes his obsessive efforts underground, far away from inquisitive eyes.

A reporter (Bridget Fonda) gets the scoop on the first ever human cloning, but the furor surrounding the event jeopardizes the baby’s birth and the career of the doctor (Mary Beth Hurt) responsible for creating the clone.

A nerdish computer-type stumbles upon a virtual computer program that puts the viewer right into the experience. His roommate convinces him to use it as a sex-type program and sell folks various sexual “experiences.” Meanwhile, the nerd aspires to date a girl he’s too shy to approach, and hopes the virtual encounter program will help him out.

In need of funds for research, Dr. Alan Grant accepts a large sum of money to accompany Paul and Amanda Kirby on an aerial tour of the infamous Isla Sorna. It isn’t long before all hell breaks loose and the stranded wayfarers must fight for survival as a host of new — and even more deadly — dinosaurs try to make snacks of them.