In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.
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Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus’ rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
A young woman trapped in an abusive relationship becomes an unwitting participant in an intervention staged by her two closest friends.
A three-character ensemble piece set within the confines of a tawdry motor lodge in Lansing, Michigan. After 10 years apart, three disparate people come together to play out the unresolved drama of their final days in high school. Intrigued, we watch as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.
To the Rider his moped is everything. As a pizza delivery driver it is his livelihood. As a breadline straddling, immigrant father it is his family’s anchor. It takes his wife to work. It gets his daughter to school. So when one night the moped is stolen, his world collapses. He has to get back his bike – or replace it – in whatever way possible, before his next shifts starts. If he fails, he won’t just lose his job, he will lose it all. He tries to ask the few familiar faces for help in this unfamiliar, disorienting city. However, as he runs out of time and his options are wearing thin, his moral compass begins to crack and he grows more and more willing to forgo his conscience in order to save himself and his family.
Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.
The story of the last Seal Child’s journey home. After their mother’s disappearance, Ben and Saoirse are sent to live with Granny in the city. When they resolve to return to their home by the sea, their journey becomes a race against time as they are drawn into a world Ben knows only from his mother’s folktales. But this is no bedtime story; these fairy folk have been in our world far too long. It soon becomes clear to Ben that Saoirse is the key to their survival.
April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
Overwhelmed by his pending divorce and the declining health of his father, Peter plans a getaway to Tulum, insistent he knows nothing of his sons’ plans to be there at the same time for a bachelor party.
