Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.

Olivier mustered out of the navy to film this adaptation of Shakespeare’s history. Embroiled in World War II, Britons took courage from this tale of a king who surmounts overwhelming odds and emerges victorious.

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While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a “model shop” (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.

Eric (Alex Fong Lik-Sun) and Cheun (Sammy) are two medical students who opt to rent a flat in a secluded housing estate, the reason being to concentrate on their upcoming exams. Their best intentions go south damn quick; first of all, Cheun wastes time and acts extremely annoying, thereby ruining any chance at serious study time. Second, there may be vampires in the building. Eric becomes slightly enamored of Jade (Miki Lee), a pretty young thing who lives in the building with her older sisters (Zuki Lee and Cynthia Ho). But after a series of weird noises and the appearance of a man bleeding from the neck, Eric thinks something may be up. He enlists the help of TV occult expert Mister M (Yuen Wah), who all but confirms Eric’s suspicions: the sisters are vampires. Worse, they must suck the life out of one good man to cure their aversion to daylight, and have ear-marked Eric as the designated “good man”.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime

Hamlet/Horatio begins on an empty sound stage with the death of Hamlet. The action transpires in his last moment of awareness as the hero of Shakespeare’s most famous play watches his life flash before him while his soul transcends all earthly conflict. Hamlet/Horatio is told from the perspective of Hamlet’s closest friend and confidante, Horatio, who takes on the role of film director in order to fulfill his promise to dying Hamlet of telling the story of Hamlet’s life so that the world will know of Hamlet’s tragic sacrifice.

Ella, an events project manager, usually takes a private transportation service. However, she is forced to take a bus, where bus conductor Rico becomes aroused when her body gets pressed into him due to the thick crowd. This encounter deeply affects Ella, and from that night on, she starts pursuing Rico. Even after discovering that Rico already has a live-in partner and a daughter, Ella doesn’t care at all and she’ll do anything to make him want her just as much.

The world is on the brink of major social and economic collapse, and powerful billionnaire Malcolm Hunt has the solution. Malcolm invites eight ‘candidates’ to a house in the country for a weekend adn each must prove themselves worthy of attending a prestigious world summit call ‘Advanced Earth’. But when they awake on their frst morning in the house, the candidates fnd themselves trapped, cut off from the outside world, and the true, terrifying purpose of Advanced Earth is revealed…

Four men head into the remote woods on an annual camping trip. As one of them gradually loses his mind, the weekend of fun takes a turn for the worse and the other three must fight for their lives.

A woman exacts finely choreographed revenge for an improper act from when she was 17. But what happened to her back then? And what will happen to the men she imprisons?

Hancock is a down-and-out superhero who’s forced to employ a PR expert to help repair his image when the public grows weary of all the damage he’s inflicted during his lifesaving heroics. The agent’s idea of imprisoning the antihero to make the world miss him proves successful, but will Hancock stick to his new sense of purpose or slip back into old habits?