In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they Arrive in a small town, the actors encounter a woman bing sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors stage a performance based on the crime. Through the performance of the play, they discover a mystery.
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Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border.
For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell’s tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.
A medium is murdered and suspicion falls on his niece.
Melissa has a bad case of sibling rivalry, only her competition is a fictional character in her father’s best-selling novel about a teenage super spy. When her father is “dadnapped” by a group of overzealous fans, it’s up to Melissa to help him by tapping her inner superhero.
When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother’s chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy’s return or accepting an offer of marriage from a wealthy diamond merchant.
Young Emmanuelle and her friend Coco visit a friend whose sculptor husband is infatuated with one of his plaster creations. Emmanuelle uses her magic to get him interested again, jump starting their love life. Later, Emmanuelle, Coco and Coco’s sister, Paula, travel to a wedding in Africa. They miss their plane to Salima and have to travel by boat, where they all vie for the attention of a male passenger. After Paula misses her chance with him, she travels via rowboat to an African tribal village where her desires are fulfilled.
