After a disappointing loss during the national championships, local wheelchair basketball team are ready to come back together and give their all in the forthcoming season. In community-supported wheelchair basketball programs across the country, players push each other physically, mentally and emotionally in order to succeed against the odds, struggling with the challenges of dedicating oneself to a sport that does not garner the recognition or resources granted to other professional athletic organizations—wheelchair basketball is all too often regarded as a sort of charity instead of the riveting competitive sport that it is. The Miami Heat Wheels are ready for their second shot at winning the nationals, but lack of funds and personal problems threaten to put an end to the dream before the season reaches its tension-riddled conclusion.
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Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
Thanks to a recent remarkable discovery in the BBC’s Film Vaults, the best of David Attenborough’s early Zoo Quest adventures can now be seen as never before – in colour – and with it the remarkable story of how this pioneering television series was made. First broadcast in December 1954, Zoo Quest was one of the most popular television series of its time and launched the career of the young David Attenborough as a wildlife presenter. Zoo Quest completely changed how viewers saw the world – revealing wildlife and tribal communities that had never been filmed or even seen before.
An ex-boxer, living with the knowledge that his fight career was cut short by a crooked manager, channels his bitter disappointment in a single-minded quest for boxing championships for his three sons. We see them in pee-wee Silver Glove matches with dad constantly pushing them. Ten years later, they’re young men, with dad as both father and manager. A professional promoter, Nick Everson, wants to sign the boys, but dad rejects those offers. Then, in expressions of their varied relationships with their father, each son makes his own decisions. Can dad ever step aside, and can the family hold together?
When an unidentified hiker is found deceased in the Florida wilderness, authorities release a sketch. Multiple hikers call in claiming to have met the man. There’s only one problem – he never told them his name. It would take two years, thousands of devoted internet sleuths, and a miracle of science to identify him, and that’s when the trouble really starts.
Prosecuting attorney Vincent Bugliosi and Manson “family” members Lynette Fromme, Mary Brunner and Sandra Good discuss the Tate-LaBianca murders.
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9th CIRCUIT COWBOY is the story of Judge Harry Pregerson who, for almost half a century, served on California’s famously liberal 9th Circuit Court of Appeals.
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The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare.
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