Young mother Lori must say goodbye to her husband, who decides to join the war against ISIS. She finds herself in a fight in midst her own society. Thus, Lori searches to express her feelings in dance.
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Set in a California subdivision, the story follows four couples who have bought homes and are neighbors. Among the problems facing the couples are alcoholism, racism, and promiscuity.
The story revolves around the idea of “no down payment” and the over extended nature of some of the families’ economic situation. Tony Randall is in a role that you would never expect, a car salesman looking for a good time. Other issues include discrimination against a former war hero for lack of education.
Alexandre, an instructor at the Canadian customs college, returns home to his small town after his employer places him on compulsory leave. As he forms a new friendship with a female Icelandic drag racer, he finds himself under surveillance by police investigators trying to get to the bottom of the sexually explicit drawings that have been troubling the town.
When stricken with a terminal disease, Young-su leaves his careless high life in the city, live-in girlfriend and dwindling business. He retreats to a sanatorium in the countryside in order to treat his illness, where he meets a young woman who is a resident patient there. Soon they develop feelings for each other and leave the sanatorium together to live in a small but cozy farm house. Their health improves dramatically but when Young-su’s friends from the city come for a visit, he starts to wonder if he should abandon mundane rural village and return to his former lifestyle.
When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.
A troubled woman returns to her estranged family in coastal Maine. With her lobsterman father caught up in a turf war at sea, she and an ex-boyfriend make plans to hijack local drug runners. As their desperation mounts, each character makes increasingly compromised and morally dubious decisions that threaten their way of life and their loved ones.
Devoted wife and mother Barbara Weaver led a traditional life in her conservative Ohio Amish community. Her husband, however, gave into the “temptations of women and technology” forbidden to the community, leading a secret life online as the “Amish Stud.” Furthermore, he shared with mistresses his desire to kill his wife — something that made him the prime suspect when Barbara is found dead.
The USS Neptune, a nuclear submarine, is sunk off the coast of Connecticut after a collision with a Norwegian cargo ship. The navy must attempt a potentially dangerous rescue in the hope of saving the lives of the crew.
Three teenagers, brought together from bullying, indulge in petty theft, sex and drugs. They inevitably realize they can resort to violence to take revenge on everyone who has humiliated them: students, teachers and other outcasts. One of them escalates to killing, and desires to kill again. Anyone can become his next victim. The other two face the question: should they resort to violence to stop the killings?
A teenage girl living with schizophrenia begins to suspect her neighbor has kidnapped a child. Her parents try desperately to help her live a normal life, without exposing their own tragic secrets, and the only person who believes her is Caleb – a boy she isn’t even sure exists.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
