After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

A crooked cop, a mob boss and the young girl they abuse are the denizens of a city’s criminal underworld. It’s a world that ordinary Arthur Poppington doesn’t understand and doesn’t belong in, but is committed to fighting when he changes into a vigilante super-hero of his own making, Defendor. With no power other than courage Defendor takes to the streets to protect the city’s innocents.

Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy’s sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street — high risk, high reward and everybody has an angle.

A tribute to The E Street Band, rock ‘n’ roll, and the way music has shaped Bruce Springsteen’s life, this documentary captures Bruce reflecting on love and loss while recording with his full band for the first time since Born in the U.S.A.

Dante spends his days between factories, skateboards and corpses, but the only thing he cares about is the Death Metal band he plays in with his best friends. Lucy, the girlfriend of his comatose brother, comes to visit, and here presence will cause chaos, confusion, but also hope.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, ‘I think cinema, when it’s not boring, is the art of letting ghosts come back.’ He also says that ‘memory is the past that has never had the form of the present.’

Last movie of Zero Woman Series! The serious crime unit of police will do anything to conclude a case, even kill people. Few people in the unit know the truth. The only woman in the unit, named Zero, who is a tragic figure. She has neither records nor identities in the society. A serial murder of important persons in political and financial fields occurs. Victims are killed after similar temptations. Another police unit, Hayami, often sees Zero’s shadow while he is investigating the crime. In the meantime, Yuki, a killer who with hatred heart to do crazy killings and made the innocent more complicated.

When Carly, secretly a princess, plans Snowden Peak’s Snow Ball with Jesse, their attraction is undeniable. In planning the event, the two make the gala a fundraiser to help infuse much needed resources into the resort. But without a celebrity draw, investors aren’t interested, and Snowden Peak is put up for sale. Will Carly allow her royal identity to be exposed to save the resort?

Whitney Manning, gorgeous, entitled and deranged daughter of wealthy and equally disturbed Connie, is determined to become homecoming queen and absolutely nothing will stand in her way.

Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.

This is the worst day of Károly’s life. The domino effect that set up his misery has begun decades ago, so now he starts an angry monologue during which he takes into account every step that led him to this very day.

For the thirtysomething Sheng Ruxi, whose surname unmistakably echoes the slang term “sheng nu” (leftover women), the wait for a perfect partner is growing more despairing by the day. With an ultra-anxious mother who would rather die than see her daughter stay single, Ruxi is further annoyed by the doctor she’s fixed up with. Could her new colleague, the dashing 25-year-old Ma Sai, offer last-minute salvation?